BookPlays

As You Like It by William Shakespeare

As You Like It is Shakespeare’s pastoral comedy* likely written in 1599, and first performed in 1603. Its most quoted sonnet is from Act II, scene VII:
“All the world’s a stage, and all the men and women merely players;”


  • Considered “pastoral” since most of the scenes occur in the Forest of Arden.

Download:

EPUB3 (E-readers incl. Send-to-Kindle)

EPUB (no images, older E-readers)

Kindle

older Kindles

Plain Text UTF-8

Download HTML (zip)

The Project Gutenberg eBook of As You Like It
    
This ebook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this ebook or online
at www.gutenberg.org. If you are not located in the United States,
you will have to check the laws of the country where you are located
before using this eBook.

Title: As You Like It

Author: William Shakespeare

Release date: December 1, 1997 [eBook #1121]
                Most recently updated: November 3, 2023

Language: English



*** START OF THE PROJECT GUTENBERG EBOOK AS YOU LIKE IT ***




As you Like it

Actus primus. Scoena Prima.

Enter Orlando and Adam.

  Orlando. As I remember Adam, it was vpon this fashion
bequeathed me by will, but poore a thousand
Crownes, and as thou saist, charged my brother
on his blessing to breed mee well: and
there begins my sadnesse: My brother Iaques he keepes
at schoole, and report speakes goldenly of his profit:
for my part, he keepes me rustically at home, or (to speak
more properly) staies me heere at home vnkept: for call
you that keeping for a gentleman of my birth, that differs
not from the stalling of an Oxe? his horses are bred
better, for besides that they are faire with their feeding,
they are taught their mannage, and to that end Riders
deerely hir'd: but I (his brother) gaine nothing vnder
him but growth, for the which his Animals on his
dunghils are as much bound to him as I: besides this nothing
that he so plentifully giues me, the something that
nature gaue mee, his countenance seemes to take from
me: hee lets mee feede with his Hindes, barres mee the
place of a brother, and as much as in him lies, mines my
gentility with my education. This is it Adam that
grieues me, and the spirit of my Father, which I thinke
is within mee, begins to mutinie against this seruitude.
I will no longer endure it, though yet I know no wise
remedy how to auoid it.
Enter Oliuer.

  Adam. Yonder comes my Master, your brother

   Orlan. Goe a-part Adam, and thou shalt heare how
he will shake me vp

   Oli. Now Sir, what make you heere?
  Orl. Nothing: I am not taught to make any thing

   Oli. What mar you then sir?
  Orl. Marry sir, I am helping you to mar that which
God made, a poore vnworthy brother of yours with
idlenesse

   Oliuer. Marry sir be better employed, and be naught
a while

   Orlan. Shall I keepe your hogs, and eat huskes with
them? what prodigall portion haue I spent, that I should
come to such penury?
  Oli. Know you where you are sir?
  Orl. O sir, very well: heere in your Orchard

   Oli. Know you before whom sir?
  Orl. I, better then him I am before knowes mee: I
know you are my eldest brother, and in the gentle condition
of bloud you should so know me: the courtesie of
nations allowes you my better, in that you are the first
borne, but the same tradition takes not away my bloud,
were there twenty brothers betwixt vs: I haue as much
of my father in mee, as you, albeit I confesse your comming
before me is neerer to his reuerence

   Oli. What Boy

   Orl. Come, come elder brother, you are too yong in this

   Oli. Wilt thou lay hands on me villaine?
  Orl. I am no villaine: I am the yongest sonne of Sir
Rowland de Boys, he was my father, and he is thrice a villaine
that saies such a father begot villaines: wert thou
not my brother, I would not take this hand from thy
throat, till this other had puld out thy tongue for saying
so, thou hast raild on thy selfe

   Adam. Sweet Masters bee patient, for your Fathers
remembrance, be at accord

   Oli. Let me goe I say

   Orl. I will not till I please: you shall heare mee: my
father charg'd you in his will to giue me good education:
you haue train'd me like a pezant, obscuring and
hiding from me all gentleman-like qualities: the spirit
of my father growes strong in mee, and I will no longer
endure it: therefore allow me such exercises as may become
a gentleman, or giue mee the poore allottery my
father left me by testament, with that I will goe buy my
fortunes

   Oli. And what wilt thou do? beg when that is spent?
Well sir, get you in. I will not long be troubled with
you: you shall haue some part of your will, I pray you
leaue me

   Orl. I will no further offend you, then becomes mee
for my good

   Oli. Get you with him, you olde dogge

   Adam. Is old dogge my reward: most true, I haue
lost my teeth in your seruice: God be with my olde master,
he would not haue spoke such a word.

Ex. Orl. Ad.

  Oli. Is it euen so, begin you to grow vpon me? I will
physicke your ranckenesse, and yet giue no thousand
crownes neyther: holla Dennis.
Enter Dennis.

  Den. Calls your worship?
  Oli. Was not Charles the Dukes Wrastler heere to
speake with me?
  Den. So please you, he is heere at the doore, and importunes
accesse to you

   Oli. Call him in: 'twill be a good way: and to morrow
the wrastling is.
Enter Charles.

  Cha. Good morrow to your worship

   Oli. Good Mounsier Charles: what's the new newes
at the new Court?
  Charles. There's no newes at the Court Sir, but the
olde newes: that is, the old Duke is banished by his yonger
brother the new Duke, and three or foure louing
Lords haue put themselues into voluntary exile with
him, whose lands and reuenues enrich the new Duke,
therefore he giues them good leaue to wander

   Oli. Can you tell if Rosalind the Dukes daughter bee
banished with her Father?
  Cha. O no; for the Dukes daughter her Cosen so
loues her, being euer from their Cradles bred together,
that hee would haue followed her exile, or haue died to
stay behind her; she is at the Court, and no lesse beloued
of her Vncle, then his owne daughter, and neuer two Ladies
loued as they doe

   Oli. Where will the old Duke liue?
  Cha. They say hee is already in the Forrest of Arden,
and a many merry men with him; and there they liue
like the old Robin Hood of England: they say many yong
Gentlemen flocke to him euery day, and fleet the time
carelesly as they did in the golden world

   Oli. What, you wrastle to morrow before the new
Duke

   Cha. Marry doe I sir: and I came to acquaint you
with a matter: I am giuen sir secretly to vnderstand, that
your yonger brother Orlando hath a disposition to come
in disguis'd against mee to try a fall: to morrow sir I
wrastle for my credit, and hee that escapes me without
some broken limbe, shall acquit him well: your brother
is but young and tender, and for your loue I would bee
loth to foyle him, as I must for my owne honour if hee
come in: therefore out of my loue to you, I came hither
to acquaint you withall, that either you might stay him
from his intendment, or brooke such disgrace well as he
shall runne into, in that it is a thing of his owne search,
and altogether against my will

   Oli. Charles , I thanke thee for thy loue to me, which
thou shalt finde I will most kindly requite: I had my
selfe notice of my Brothers purpose heerein, and haue by
vnder-hand meanes laboured to disswade him from it;
but he is resolute. Ile tell thee Charles, it is the stubbornest
yong fellow of France, full of ambition, an enuious
emulator of euery mans good parts, a secret & villanous
contriuer against mee his naturall brother: therefore vse
thy discretion, I had as liefe thou didst breake his necke
as his finger. And thou wert best looke to't; for if thou
dost him any slight disgrace, or if hee doe not mightilie
grace himselfe on thee, hee will practise against thee by
poyson, entrap thee by some treacherous deuise, and neuer
leaue thee till he hath tane thy life by some indirect
meanes or other: for I assure thee, (and almost with
teares I speake it) there is not one so young, and so villanous
this day liuing. I speake but brotherly of him,
but should I anathomize him to thee, as hee is, I must
blush, and weepe, and thou must looke pale and
wonder

   Cha. I am heartily glad I came hither to you: if hee
come to morrow, Ile giue him his payment: if euer hee
goe alone againe, Ile neuer wrastle for prize more: and
so God keepe your worship.
Enter.

Farewell good Charles. Now will I stirre this Gamester:
I hope I shall see an end of him; for my soule (yet
I know not why) hates nothing more then he: yet hee's
gentle, neuer school'd, and yet learned, full of noble
deuise, of all sorts enchantingly beloued, and indeed
so much in the heart of the world, and especially of my
owne people, who best know him, that I am altogether
misprised: but it shall not be so long, this wrastler shall
cleare all: nothing remaines, but that I kindle the boy
thither, which now Ile goe about.
Enter.


Scoena Secunda.

Enter Rosalind, and Cellia.

  Cel. I pray thee Rosalind, sweet my Coz, be merry

   Ros. Deere Cellia; I show more mirth then I am mistresse
of, and would you yet were merrier: vnlesse you
could teach me to forget a banished father, you must not
learne mee how to remember any extraordinary pleasure

   Cel. Heerein I see thou lou'st mee not with the full
waight that I loue thee; if my Vncle thy banished father
had banished thy Vncle the Duke my Father, so thou
hadst beene still with mee, I could haue taught my loue
to take thy father for mine; so wouldst thou, if the truth
of thy loue to me were so righteously temper'd, as mine
is to thee

   Ros. Well, I will forget the condition of my estate,
to reioyce in yours

   Cel. You know my Father hath no childe, but I, nor
none is like to haue; and truely when he dies, thou shalt
be his heire; for what hee hath taken away from thy father
perforce, I will render thee againe in affection: by
mine honor I will, and when I breake that oath, let mee
turne monster: therefore my sweet Rose, my deare Rose,
be merry

   Ros. From henceforth I will Coz, and deuise sports:
let me see, what thinke you of falling in Loue?
  Cel. Marry I prethee doe, to make sport withall: but
loue no man in good earnest, nor no further in sport neyther,
then with safety of a pure blush, thou maist in honor
come off againe

   Ros. What shall be our sport then?
  Cel. Let vs sit and mocke the good houswife Fortune
from her wheele, that her gifts may henceforth bee
bestowed equally

   Ros. I would wee could doe so: for her benefits are
mightily misplaced, and the bountifull blinde woman
doth most mistake in her gifts to women

   Cel. 'Tis true, for those that she makes faire, she scarce
makes honest, & those that she makes honest, she makes
very illfauouredly

   Ros. Nay now thou goest from Fortunes office to Natures:
Fortune reignes in gifts of the world, not in the
lineaments of Nature.
Enter Clowne.

  Cel. No; when Nature hath made a faire creature,
may she not by Fortune fall into the fire? though nature
hath giuen vs wit to flout at Fortune, hath not Fortune
sent in this foole to cut off the argument?
  Ros. Indeed there is fortune too hard for nature, when
fortune makes natures naturall, the cutter off of natures
witte

   Cel. Peraduenture this is not Fortunes work neither,
but Natures, who perceiueth our naturall wits too dull
to reason of such goddesses, hath sent this Naturall for
our whetstone: for alwaies the dulnesse of the foole, is
the whetstone of the wits. How now Witte, whether
wander you?
  Clow. Mistresse, you must come away to your father

   Cel. Were you made the messenger?
  Clo. No by mine honor, but I was bid to come for you
  Ros. Where learned you that oath foole?
  Clo. Of a certaine Knight, that swore by his Honour
they were good Pan-cakes, and swore by his Honor the
Mustard was naught: Now Ile stand to it, the Pancakes
were naught, and the Mustard was good, and yet was
not the Knight forsworne

   Cel. How proue you that in the great heape of your
knowledge?
  Ros. I marry, now vnmuzzle your wisedome

   Clo. Stand you both forth now: stroke your chinnes,
and sweare by your beards that I am a knaue

   Cel. By our beards (if we had them) thou art

   Clo. By my knauerie (if I had it) then I were: but if
you sweare by that that is not, you are not forsworn: no
more was this knight swearing by his Honor, for he neuer
had anie; or if he had, he had sworne it away, before
euer he saw those Pancakes, or that Mustard

   Cel. Prethee, who is't that thou means't?
  Clo. One that old Fredericke your Father loues

   Ros. My Fathers loue is enough to honor him enough;
speake no more of him, you'l be whipt for taxation one
of these daies

   Clo. The more pittie that fooles may not speak wisely,
what Wisemen do foolishly

   Cel. By my troth thou saiest true: For, since the little
wit that fooles haue was silenced, the little foolerie that
wise men haue makes a great shew; Heere comes Monsieur
the Beu.
Enter le Beau.

  Ros. With his mouth full of newes

   Cel. Which he will put on vs, as Pigeons feed their
young

   Ros. Then shal we be newes-cram'd

   Cel. All the better: we shalbe the more Marketable.
Boon-iour Monsieur le Beu, what's the newes?
  Le Beu. Faire Princesse,
you haue lost much good sport

   Cel. Sport: of what colour?
  Le Beu. What colour Madame? How shall I aunswer
you?
  Ros. As wit and fortune will

   Clo. Or as the destinies decrees

   Cel. Well said, that was laid on with a trowell

   Clo. Nay, if I keepe not my ranke

   Ros. Thou loosest thy old smell

   Le Beu. You amaze me Ladies: I would haue told
you of good wrastling, which you haue lost the sight of

   Ros. Yet tell vs the manner of the Wrastling

   Le Beu. I wil tell you the beginning: and if it please
your Ladiships, you may see the end, for the best is yet
to doe, and heere where you are, they are comming to
performe it

   Cel. Well, the beginning that is dead and buried

   Le Beu. There comes an old man, and his three sons

   Cel. I could match this beginning with an old tale

   Le Beu. Three proper yong men, of excellent growth
and presence

   Ros. With bils on their neckes: Be it knowne vnto
all men by these presents

   Le Beu. The eldest of the three, wrastled with Charles
the Dukes Wrastler, which Charles in a moment threw
him, and broke three of his ribbes, that there is little
hope of life in him: So he seru'd the second, and so the
third: yonder they lie, the poore old man their Father,
making such pittiful dole ouer them, that all the beholders
take his part with weeping

   Ros. Alas

   Clo. But what is the sport Monsieur, that the Ladies
haue lost?
  Le Beu. Why this that I speake of

   Clo. Thus men may grow wiser euery day. It is the
first time that euer I heard breaking of ribbes was sport
for Ladies

   Cel. Or I, I promise thee

   Ros. But is there any else longs to see this broken
Musicke in his sides? Is there yet another doates vpon
rib-breaking? Shall we see this wrastling Cosin?
  Le Beu. You must if you stay heere, for heere is the
place appointed for the wrastling, and they are ready to
performe it

   Cel. Yonder sure they are comming. Let vs now stay
and see it.

Flourish. Enter Duke, Lords, Orlando, Charles, and Attendants.

  Duke. Come on, since the youth will not be intreated
His owne perill on his forwardnesse

   Ros. Is yonder the man?
  Le Beu. Euen he, Madam

   Cel. Alas, he is too yong: yet he looks successefully
  Du. How now daughter, and Cousin:
Are you crept hither to see the wrastling?
  Ros. I my Liege, so please you giue vs leaue

   Du. You wil take little delight in it, I can tell you
there is such oddes in the man: In pitie of the challengers
youth, I would faine disswade him, but he will not
bee entreated. Speake to him Ladies, see if you can
mooue him

   Cel. Call him hether good Monsieuer Le Beu

   Duke. Do so: Ile not be by

   Le Beu. Monsieur the Challenger, the Princesse cals
for you

   Orl. I attend them with all respect and dutie

   Ros. Young man, haue you challeng'd Charles the
Wrastler?
  Orl. No faire Princesse: he is the generall challenger,
I come but in as others do, to try with him the strength
of my youth

   Cel. Yong Gentleman, your spirits are too bold for
your yeares: you haue seene cruell proofe of this mans
strength, if you saw your selfe with your eies, or knew
your selfe with your iudgment, the feare of your aduenture
would counsel you to a more equall enterprise. We
pray you for your owne sake to embrace your own safetie,
and giue ouer this attempt

   Ros. Do yong Sir, your reputation shall not therefore
be misprised: we wil make it our suite to the Duke, that
the wrastling might not go forward

   Orl. I beseech you, punish mee not with your harde
thoughts, wherein I confesse me much guiltie to denie
so faire and excellent Ladies anie thing. But let your
faire eies, and gentle wishes go with mee to my triall;
wherein if I bee foil'd, there is but one sham'd that was
neuer gracious: if kil'd, but one dead that is willing to
be so: I shall do my friends no wrong, for I haue none to
lament me: the world no iniurie, for in it I haue nothing:
onely in the world I fil vp a place, which may bee better
supplied, when I haue made it emptie

   Ros. The little strength that I haue, I would it were
with you

   Cel. And mine to eeke out hers

   Ros. Fare you well: praie heauen I be deceiu'd in you

   Cel. Your hearts desires be with you

   Char. Come, where is this yong gallant, that is so
desirous to lie with his mother earth?
  Orl. Readie Sir, but his will hath in it a more modest
working

   Duk. You shall trie but one fall

   Cha. No, I warrant your Grace you shall not entreat
him to a second, that haue so mightilie perswaded him
from a first

   Orl. You meane to mocke me after: you should not
haue mockt me before: but come your waies

   Ros. Now Hercules, be thy speede yong man

   Cel. I would I were inuisible, to catch the strong fellow
by the legge.

Wrastle.

  Ros. Oh excellent yong man

   Cel. If I had a thunderbolt in mine eie, I can tell who
should downe.

Shout.

  Duk. No more, no more

   Orl. Yes I beseech your Grace, I am not yet well
breath'd

   Duk. How do'st thou Charles?
  Le Beu. He cannot speake my Lord

   Duk. Beare him awaie:
What is thy name yong man?
  Orl. Orlando my Liege, the yongest sonne of Sir Roland
de Boys

   Duk. I would thou hadst beene son to some man else,
The world esteem'd thy father honourable,
But I did finde him still mine enemie:
Thou should'st haue better pleas'd me with this deede,
Hadst thou descended from another house:
But fare thee well, thou art a gallant youth,
I would thou had'st told me of another Father.

Exit Duke.

  Cel. Were I my Father (Coze) would I do this?
  Orl. I am more proud to be Sir Rolands sonne,
His yongest sonne, and would not change that calling
To be adopted heire to Fredricke

   Ros. My Father lou'd Sir Roland as his soule,
And all the world was of my Fathers minde,
Had I before knowne this yong man his sonne,
I should haue giuen him teares vnto entreaties,
Ere he should thus haue ventur'd

   Cel. Gentle Cosen,
Let vs goe thanke him, and encourage him:
My Fathers rough and enuious disposition
Sticks me at heart: Sir, you haue well deseru'd,
If you doe keepe your promises in loue;
But iustly as you haue exceeded all promise,
Your Mistris shall be happie

   Ros. Gentleman,
Weare this for me: one out of suites with fortune
That could giue more, but that her hand lacks meanes.
Shall we goe Coze?
  Cel. I: fare you well faire Gentleman

   Orl. Can I not say, I thanke you? My better parts
Are all throwne downe, and that which here stands vp
Is but a quintine, a meere liuelesse blocke

   Ros. He cals vs back: my pride fell with my fortunes,
Ile aske him what he would: Did you call Sir?
Sir, you haue wrastled well, and ouerthrowne
More then your enemies

   Cel. Will you goe Coze?
  Ros. Haue with you: fare you well.
Enter.

  Orl. What passion hangs these waights vpo[n] my toong?
I cannot speake to her, yet she vrg'd conference.
Enter Le Beu.

O poore Orlando! thou art ouerthrowne
Or Charles, or something weaker masters thee

   Le Beu. Good Sir, I do in friendship counsaile you
To leaue this place; Albeit you haue deseru'd
High commendation, true applause, and loue;
Yet such is now the Dukes condition,
That he misconsters all that you haue done:
The Duke is humorous, what he is indeede
More suites you to conceiue, then I to speake of

   Orl. I thanke you Sir; and pray you tell me this,
Which of the two was daughter of the Duke,
That here was at the Wrastling?
  Le Beu. Neither his daughter, if we iudge by manners,
But yet indeede the taller is his daughter,
The other is daughter to the banish'd Duke,
And here detain'd by her vsurping Vncle
To keepe his daughter companie, whose loues
Are deerer then the naturall bond of Sisters:
But I can tell you, that of late this Duke
Hath tane displeasure 'gainst his gentle Neece,
Grounded vpon no other argument,
But that the people praise her for her vertues,
And pittie her, for her good Fathers sake;
And on my life his malice 'gainst the Lady
Will sodainly breake forth: Sir, fare you well,
Hereafter in a better world then this,
I shall desire more loue and knowledge of you

   Orl. I rest much bounden to you: fare you well.
Thus must I from the smoake into the smother,
From tyrant Duke, vnto a tyrant Brother.
But heauenly Rosaline.

Exit


Scena Tertius.

Enter Celia and Rosaline.

  Cel. Why Cosen, why Rosaline: Cupid haue mercie,
Not a word?
  Ros. Not one to throw at a dog

   Cel. No, thy words are too precious to be cast away
vpon curs, throw some of them at me; come lame mee
with reasons

   Ros. Then there were two Cosens laid vp, when the
one should be lam'd with reasons, and the other mad
without any

   Cel. But is all this for your Father?
  Ros. No, some of it is for my childes Father: Oh
how full of briers is this working day world

   Cel. They are but burs, Cosen, throwne vpon thee
in holiday foolerie, if we walke not in the trodden paths
our very petty-coates will catch them

   Ros. I could shake them off my coate, these burs are
in my heart

   Cel. Hem them away

   Ros. I would try if I could cry hem, and haue him

   Cel. Come, come, wrastle with thy affections

   Ros. O they take the part of a better wrastler then
my selfe

   Cel. O, a good wish vpon you: you will trie in time
in dispight of a fall: but turning these iests out of seruice,
let vs talke in good earnest: Is it possible on such a sodaine,
you should fall into so strong a liking with old Sir
Roulands yongest sonne?
  Ros. The Duke my Father lou'd his Father deerelie

   Cel. Doth it therefore ensue that you should loue his
Sonne deerelie? By this kinde of chase, I should hate
him, for my father hated his father deerely; yet I hate
not Orlando

   Ros. No faith, hate him not for my sake

   Cel. Why should I not? doth he not deserue well?
Enter Duke with Lords.

  Ros. Let me loue him for that, and do you loue him
Because I doe. Looke, here comes the Duke

   Cel. With his eies full of anger

   Duk. Mistris, dispatch you with your safest haste,
And get you from our Court

   Ros. Me Vncle

   Duk. You Cosen,
Within these ten daies if that thou beest found
So neere our publike Court as twentie miles,
Thou diest for it

   Ros. I doe beseech your Grace
Let me the knowledge of my fault beare with me:
If with my selfe I hold intelligence,
Or haue acquaintance with mine owne desires,
If that I doe not dreame, or be not franticke,
(As I doe trust I am not) then deere Vncle,
Neuer so much as in a thought vnborne,
Did I offend your highnesse

   Duk. Thus doe all Traitors,
If their purgation did consist in words,
They are as innocent as grace it selfe;
Let is suffice thee that I trust thee not

   Ros. Yet your mistrust cannot make me a Traitor;
Tell me whereon the likelihoods depends?
  Duk. Thou art thy Fathers daughter, there's enough

   Ros. So was I when your highnes took his Dukdome,
So was I when your highnesse banisht him;
Treason is not inherited my Lord,
Or if we did deriue it from our friends,
What's that to me, my Father was no Traitor,
Then good my Leige, mistake me not so much,
To thinke my pouertie is treacherous

   Cel. Deere Soueraigne heare me speake

   Duk. I Celia, we staid her for your sake,
Else had she with her Father rang'd along

   Cel. I did not then intreat to haue her stay,
It was your pleasure, and your owne remorse,
I was too yong that time to value her,
But now I know her: if she be a Traitor,
Why so am I: we still haue slept together,
Rose at an instant, learn'd, plaid, eate together,
And wheresoere we went, like Iunos Swans,
Still we went coupled and inseperable

   Duk. She is too subtile for thee, and her smoothnes;
Her verie silence, and her patience,
Speake to the people, and they pittie her:
Thou art a foole, she robs thee of thy name,
And thou wilt show more bright, & seem more vertuous
When she is gone: then open not thy lips
Firme, and irreuocable is my doombe,
Which I haue past vpon her, she is banish'd

   Cel. Pronounce that sentence then on me my Leige,
I cannot liue out of her companie

   Duk. You are a foole: you Neice prouide your selfe,
If you out-stay the time, vpon mine honor,
And in the greatnesse of my word you die.

Exit Duke, &c.

  Cel. O my poore Rosaline, whether wilt thou goe?
Wilt thou change Fathers? I will giue thee mine:
I charge thee be not thou more grieu'd then I am

   Ros. I haue more cause

   Cel. Thou hast not Cosen,
Prethee be cheerefull; know'st thou not the Duke
Hath banish'd me his daughter?
  Ros. That he hath not

   Cel. No, hath not? Rosaline lacks then the loue
Which teacheth thee that thou and I am one,
Shall we be sundred? shall we part sweete girle?
No, let my Father seeke another heire:
Therefore deuise with me how we may flie
Whether to goe, and what to beare with vs,
And doe not seeke to take your change vpon you,
To beare your griefes your selfe, and leaue me out:
For by this heauen, now at our sorrowes pale;
Say what thou canst, Ile goe along with thee

   Ros. Why, whether shall we goe?
  Cel. To seeke my Vncle in the Forrest of Arden

   Ros. Alas, what danger will it be to vs,
(Maides as we are) to trauell forth so farre?
Beautie prouoketh theeues sooner then gold

   Cel. Ile put my selfe in poore and meane attire,
And with a kinde of vmber smirch my face,
The like doe you, so shall we passe along,
And neuer stir assailants

   Ros. Were it not better,
Because that I am more then common tall,
That I did suite me all points like a man,
A gallant curtelax vpon my thigh,
A bore-speare in my hand, and in my heart
Lye there what hidden womans feare there will,
Weele haue a swashing and a marshall outside,
As manie other mannish cowards haue,
That doe outface it with their semblances

   Cel. What shall I call thee when thou art a man?
  Ros. Ile haue no worse a name then Ioues owne Page,
And therefore looke you call me Ganimed.
But what will you be call'd?
  Cel. Something that hath a reference to my state:
No longer Celia, but Aliena

   Ros. But Cosen, what if we assaid to steale
The clownish Foole out of your Fathers Court:
Would he not be a comfort to our trauaile?
  Cel. Heele goe along ore the wide world with me,
Leaue me alone to woe him; Let's away
And get our Iewels and our wealth together,
Deuise the fittest time, and safest way
To hide vs from pursuite that will be made
After my flight: now goe in we content
To libertie, and not to banishment.

Exeunt.


Actus Secundus. Scoena Prima.

Enter Duke Senior: Amyens, and two or three Lords like
Forresters.

  Duk.Sen. Now my Coe-mates, and brothers in exile:
Hath not old custome made this life more sweete
Then that of painted pompe? Are not these woods
More free from perill then the enuious Court?
Heere feele we not the penaltie of Adam,
The seasons difference, as the Icie phange
And churlish chiding of the winters winde,
Which when it bites and blowes vpon my body
Euen till I shrinke with cold, I smile, and say
This is no flattery: these are counsellors
That feelingly perswade me what I am:
Sweet are the vses of aduersitie
Which like the toad, ougly and venemous,
Weares yet a precious Iewell in his head:
And this our life exempt from publike haunt,
Findes tongues in trees, bookes in the running brookes,
Sermons in stones, and good in euery thing

   Amien. I would not change it, happy is your Grace
That can translate the stubbornnesse of fortune
Into so quiet and so sweet a stile

   Du.Sen. Come, shall we goe and kill vs venison?
And yet it irkes me the poore dapled fooles
Being natiue Burgers of this desert City,
Should in their owne confines with forked heads
Haue their round hanches goard

   1.Lord. Indeed my Lord
The melancholy Iaques grieues at that,
And in that kinde sweares you doe more vsurpe
Then doth your brother that hath banish'd you:
To day my Lord of Amiens, and my selfe,
Did steale behinde him as he lay along
Vnder an oake, whose anticke roote peepes out
Vpon the brooke that brawles along this wood,
To the which place a poore sequestred Stag
That from the Hunters aime had tane a hurt,
Did come to languish; and indeed my Lord
The wretched annimall heau'd forth such groanes
That their discharge did stretch his leatherne coat
Almost to bursting, and the big round teares
Cours'd one another downe his innocent nose
In pitteous chase: and thus the hairie foole,
Much marked of the melancholie Iaques,
Stood on th' extremest verge of the swift brooke,
Augmenting it with teares

   Du.Sen. But what said Iaques?
Did he not moralize this spectacle?
  1.Lord. O yes, into a thousand similies.
First, for his weeping into the needlesse streame;
Poore Deere quoth he, thou mak'st a testament
As worldlings doe, giuing thy sum of more
To that which had too much: then being there alone,
Left and abandoned of his veluet friend;
'Tis right quoth he, thus miserie doth part
The Fluxe of companie: anon a carelesse Heard
Full of the pasture, iumps along by him
And neuer staies to greet him: I quoth Iaques,
Sweepe on you fat and greazie Citizens,
'Tis iust the fashion; wherefore doe you looke
Vpon that poore and broken bankrupt there?
Thus most inuectiuely he pierceth through
The body of Countrie, Citie, Court,
Yea, and of this our life, swearing that we
Are meere vsurpers, tyrants, and whats worse
To fright the Annimals, and to kill them vp
In their assign'd and natiue dwelling place

   D.Sen. And did you leaue him in this contemplation?
  2.Lord. We did my Lord, weeping and commenting
Vpon the sobbing Deere

   Du.Sen. Show me the place,
I loue to cope him in these sullen fits,
For then he's full of matter

   1.Lor. Ile bring you to him strait.

Exeunt.


Scena Secunda.

Enter Duke, with Lords.

  Duk. Can it be possible that no man saw them?
It cannot be, some villaines of my Court
Are of consent and sufferance in this

   1.Lo. I cannot heare of any that did see her,
The Ladies her attendants of her chamber
Saw her a bed, and in the morning early,
They found the bed vntreasur'd of their Mistris

   2.Lor. My Lord, the roynish Clown, at whom so oft,
Your Grace was wont to laugh is also missing,
Hisperia the Princesse Gentlewoman
Confesses that she secretly ore-heard
Your daughter and her Cosen much commend
The parts and graces of the Wrastler
That did but lately foile the synowie Charles,
And she beleeues where euer they are gone
That youth is surely in their companie

   Duk. Send to his brother, fetch that gallant hither,
If he be absent, bring his Brother to me,
Ile make him finde him: do this sodainly;
And let not search and inquisition quaile,
To bring againe these foolish runawaies.

Exeunt.


Scena Tertia.

Enter Orlando and Adam.

  Orl. Who's there?
  Ad. What my yong Master, oh my gentle master,
Oh my sweet master, O you memorie
Of old Sir Rowland; why, what make you here?
Why are you vertuous? Why do people loue you?
And wherefore are you gentle, strong, and valiant?
Why would you be so fond to ouercome
The bonnie priser of the humorous Duke?
Your praise is come too swiftly home before you.
Know you not Master, to seeme kinde of men,
Their graces serue them but as enemies,
No more doe yours: your vertues gentle Master
Are sanctified and holy traitors to you:
Oh what a world is this, when what is comely
Enuenoms him that beares it?
Why, what's the matter?
  Ad. O vnhappie youth,
Come not within these doores: within this roofe
The enemie of all your graces liues
Your brother, no, no brother, yet the sonne
(Yet not the son, I will not call him son)
Of him I was about to call his Father,
Hath heard your praises, and this night he meanes,
To burne the lodging where you vse to lye,
And you within it: if he faile of that
He will haue other meanes to cut you off;
I ouerheard him: and his practises:
This is no place, this house is but a butcherie;
Abhorre it, feare it, doe not enter it

   Ad. Why whether Adam would'st thou haue me go?
  Ad. No matter whether, so you come not here

   Orl. What, would'st thou haue me go & beg my food,
Or with a base and boistrous Sword enforce
A theeuish liuing on the common rode?
This I must do, or know not what to do:
Yet this I will not do, do how I can,
I rather will subiect me to the malice
Of a diuerted blood, and bloudie brother

   Ad. But do not so: I haue fiue hundred Crownes,
The thriftie hire I saued vnder your Father,
Which I did store to be my foster Nurse,
When seruice should in my old limbs lie lame,
And vnregarded age in corners throwne,
Take that, and he that doth the Rauens feede,
Yea prouidently caters for the Sparrow,
Be comfort to my age: here is the gold,
All this I giue you, let me be your seruant,
Though I looke old, yet I am strong and lustie;
For in my youth I neuer did apply
Hot, and rebellious liquors in my bloud,
Nor did not with vnbashfull forehead woe,
The meanes of weaknesse and debilitie,
Therefore my age is as a lustie winter,
Frostie, but kindely; let me goe with you,
Ile doe the seruice of a yonger man
In all your businesse and necessities

   Orl. Oh good old man, how well in thee appeares
The constant seruice of the antique world,
When seruice sweate for dutie, not for meede:
Thou art not for the fashion of these times,
Where none will sweate, but for promotion,
And hauing that do choake their seruice vp,
Euen with the hauing, it is not so with thee:
But poore old man, thou prun'st a rotten tree,
That cannot so much as a blossome yeelde,
In lieu of all thy paines and husbandrie,
But come thy waies, weele goe along together,
And ere we haue thy youthfull wages spent,
Weele light vpon some setled low content

   Ad. Master goe on, and I will follow thee
To the last gaspe with truth and loyaltie,
From seauentie yeeres, till now almost fourescore
Here liued I, but now liue here no more
At seauenteene yeeres, many their fortunes seeke
But at fourescore, it is too late a weeke,
Yet fortune cannot recompence me better
Then to die well, and not my Masters debter.

Exeunt.


Scena Quarta.

Enter Rosaline for Ganimed, Celia for Aliena, and Clowne, alias
Touchstone.

  Ros. O Iupiter, how merry are my spirits?
  Clo. I care not for my spirits, if my legges were not
wearie

   Ros. I could finde in my heart to disgrace my mans
apparell, and to cry like a woman: but I must comfort
the weaker vessell, as doublet and hose ought to show it
selfe coragious to petty-coate; therefore courage, good
Aliena

   Cel. I pray you beare with me, I cannot goe no further

   Clo. For my part, I had rather beare with you, then
beare you: yet I should beare no crosse if I did beare
you, for I thinke you haue no money in your purse

   Ros. Well, this is the Forrest of Arden

   Clo. I, now am I in Arden, the more foole I, when I
was at home I was in a better place, but Trauellers must
be content.
Enter Corin and Siluius.

  Ros. I, be so good Touchstone: Look you, who comes
here, a yong man and an old in solemne talke

   Cor. That is the way to make her scorne you still

   Sil. Oh Corin, that thou knew'st how I do loue her

   Cor. I partly guesse: for I haue lou'd ere now

   Sil. No Corin, being old, thou canst not guesse,
Though in thy youth thou wast as true a louer
As euer sigh'd vpon a midnight pillow:
But if thy loue were euer like to mine,
As sure I thinke did neuer man loue so:
How many actions most ridiculous,
Hast thou beene drawne to by thy fantasie?
  Cor. Into a thousand that I haue forgotten

   Sil. Oh thou didst then neuer loue so hartily,
If thou remembrest not the slightest folly,
That euer loue did make thee run into,
Thou hast not lou'd.
Or if thou hast not sat as I doe now,
Wearing thy hearer in thy Mistris praise,
Thou hast not lou'd.
Or if thou hast not broke from companie,
Abruptly as my passion now makes me,
Thou hast not lou'd.
O Phebe, Phebe, Phebe.
Enter.

  Ros. Alas poore Shepheard searching of they would,
I haue by hard aduenture found mine owne

   Clo. And I mine: I remember when I was in loue, I
broke my sword vpon a stone, and bid him take that for
comming a night to Iane Smile, and I remember the kissing
of her batler, and the Cowes dugs that her prettie
chopt hands had milk'd; and I remember the wooing
of a peascod instead of her, from whom I tooke two
cods, and giuing her them againe, said with weeping
teares, weare these for my sake: wee that are true Louers,
runne into strange capers; but as all is mortall in
nature, so is all nature in loue, mortall in folly

   Ros. Thou speak'st wiser then thou art ware of

   Clo. Nay, I shall nere be ware of mine owne wit, till
I breake my shins against it

   Ros. Ioue, Ioue, this Shepherds passion,
Is much vpon my fashion

   Clo. And mine, but it growes something stale with
mee

   Cel. I pray you, one of you question yon'd man,
If he for gold will giue vs any foode,
I faint almost to death

   Clo. Holla; you Clowne

   Ros. Peace foole, he's not thy kinsman

   Cor. Who cals?
  Clo. Your betters Sir

   Cor. Else are they very wretched

   Ros. Peace I say; good euen to your friend

   Cor. And to you gentle Sir, and to you all

   Ros. I prethee Shepheard, if that loue or gold
Can in this desert place buy entertainment,
Bring vs where we may rest our selues, and feed:
Here's a yong maid with trauaile much oppressed,
And faints for succour

   Cor. Faire Sir, I pittie her,
And wish for her sake more then for mine owne,
My fortunes were more able to releeue her:
But I am shepheard to another man,
And do not sheere the Fleeces that I graze:
My master is of churlish disposition,
And little wreakes to finde the way to heauen
By doing deeds of hospitalitie.
Besides his Coate, his Flockes, and bounds of feede
Are now on sale, and at our sheep-coat now
By reason of his absence there is nothing
That you will feed on: but what is, come see,
And in my voice most welcome shall you be

   Ros. What is he that shall buy his flocke and pasture?
  Cor. That yong Swaine that you saw heere but erewhile,
That little cares for buying any thing

   Ros. I pray thee, if it stand with honestie,
Buy thou the Cottage, pasture, and the flocke,
And thou shalt haue to pay for it of vs

   Cel. And we will mend thy wages:
I like this place, and willingly could
Waste my time in it

   Cor. Assuredly the thing is to be sold:
Go with me, if you like vpon report,
The soile, the profit, and this kinde of life,
I will your very faithfull Feeder be,
And buy it with your Gold right sodainly.

Exeunt.


Scena Quinta.

Enter, Amyens, Iaques, & others.

Song.

Vnder the greene wood tree,
who loues to lye with mee,
And turne his merrie Note,
vnto the sweet Birds throte:
Come hither, come hither, come hither:
Heere shall he see no enemie,
But Winter and rough Weather

   Iaq. More, more, I pre'thee more

   Amy. It will make you melancholly Monsieur Iaques
  Iaq. I thanke it: More, I prethee more,
I can sucke melancholly out of a song,
As a Weazel suckes egges: More, I pre'thee more

   Amy. My voice is ragged, I know I cannot please
you

   Iaq. I do not desire you to please me,
I do desire you to sing:
Come, more, another stanzo: Cal you 'em stanzo's?
  Amy. What you wil Monsieur Iaques

   Iaq. Nay, I care not for their names, they owe mee
nothing. Wil you sing?
  Amy. More at your request, then to please my selfe

   Iaq. Well then, if euer I thanke any man, Ile thanke
you: but that they cal complement is like th' encounter
of two dog-Apes. And when a man thankes me hartily,
me thinkes I haue giuen him a penie, and he renders me
the beggerly thankes. Come sing; and you that wil not
hold your tongues

   Amy. Wel, Ile end the song. Sirs, couer the while,
the Duke wil drinke vnder this tree; he hath bin all this
day to looke you

   Iaq. And I haue bin all this day to auoid him:
He is too disputeable for my companie:
I thinke of as many matters as he, but I giue
Heauen thankes, and make no boast of them.
Come, warble, come.

Song. Altogether heere.

Who doth ambition shunne,
and loues to liue i'th Sunne:
Seeking the food he eates,
and pleas'd with what he gets:
Come hither, come hither, come hither,
Heere shall he see. &c

   Iaq. Ile giue you a verse to this note,
That I made yesterday in despight of my Inuention

   Amy. And Ile sing it

   Amy. Thus it goes.
If it do come to passe, that any man turne Asse:
Leauing his wealth and ease,
A stubborne will to please,
Ducdame, ducdame, ducdame:
Heere shall he see, grosse fooles as he,
And if he will come to me

   Amy. What's that Ducdame?
  Iaq. 'Tis a Greeke inuocation, to call fools into a circle.
Ile go sleepe if I can: if I cannot, Ile raile against all
the first borne of Egypt

   Amy. And Ile go seeke the Duke,
His banket is prepar'd.

Exeunt.

Scena Sexta.

Enter Orlando, & Adam

   Adam. Deere Master, I can go no further:
O I die for food. Heere lie I downe,
And measure out my graue. Farwel kinde master

   Orl. Why how now Adam? No greater heart in thee:
Liue a little, comfort a little, cheere thy selfe a little.
If this vncouth Forrest yeeld any thing sauage,
I wil either be food for it, or bring it for foode to thee:
Thy conceite is neerer death, then thy powers.
For my sake be comfortable, hold death a while
At the armes end: I wil heere be with thee presently,
And if I bring thee not something to eate,
I wil giue thee leaue to die: but if thou diest
Before I come, thou art a mocker of my labor.
Wel said, thou look'st cheerely,
And Ile be with thee quickly: yet thou liest
In the bleake aire. Come, I wil beare thee
To some shelter, and thou shalt not die
For lacke of a dinner,
If there liue any thing in this Desert.
Cheerely good Adam.

Exeunt.

Scena Septima.

Enter Duke Sen. & Lord, like Out-lawes.

  Du.Sen. I thinke he be transform'd into a beast,
For I can no where finde him, like a man

   1.Lord. My Lord, he is but euen now gone hence,
Heere was he merry, hearing of a Song

   Du.Sen. If he compact of iarres, grow Musicall,
We shall haue shortly discord in the Spheares:
Go seeke him, tell him I would speake with him.
Enter Iaques.

  1.Lord. He saues my labor by his owne approach

   Du.Sen. Why how now Monsieur, what a life is this
That your poore friends must woe your companie,
What, you looke merrily

   Iaq. A Foole, a foole: I met a foole i'th Forrest,
A motley Foole (a miserable world:)
As I do liue by foode, I met a foole,
Who laid him downe, and bask'd him in the Sun,
And rail'd on Lady Fortune in good termes,
In good set termes, and yet a motley foole.
Good morrow foole (quoth I:) no Sir, quoth he,
Call me not foole, till heauen hath sent me fortune,
And then he drew a diall from his poake,
And looking on it, with lacke-lustre eye,
Sayes, very wisely, it is ten a clocke:
Thus we may see (quoth he) how the world wagges:
'Tis but an houre agoe, since it was nine,
And after one houre more, 'twill be eleuen,
And so from houre to houre, we ripe, and ripe,
And then from houre to houre, we rot, and rot,
And thereby hangs a tale. When I did heare
The motley Foole, thus morall on the time,
My Lungs began to crow like Chanticleere,
That Fooles should be so deepe contemplatiue:
And I did laugh, sans intermission
An houre by his diall. Oh noble foole,
A worthy foole: Motley's the onely weare

   Du.Sen. What foole is this?
  Iaq. O worthie Foole: One that hath bin a Courtier
And sayes, if Ladies be but yong, and faire,
They haue the gift to know it: and in his braine,
Which is as drie as the remainder bisket
After a voyage: He hath strange places cram'd
With obseruation, the which he vents
In mangled formes. O that I were a foole,
I am ambitious for a motley coat

   Du.Sen. Thou shalt haue one

   Iaq. It is my onely suite,
Prouided that you weed your better iudgements
Of all opinion that growes ranke in them,
That I am wise. I must haue liberty
Withall, as large a Charter as the winde,
To blow on whom I please, for so fooles haue:
And they that are most gauled with my folly,
They most must laugh: And why sir must they so?
The why is plaine, as way to Parish Church:
Hee, that a Foole doth very wisely hit,
Doth very foolishly, although he smart
Seeme senselesse of the bob. If not,
The Wise-mans folly is anathomiz'd
Euen by the squandring glances of the foole.
Inuest me in my motley: Giue me leaue
To speake my minde, and I will through and through
Cleanse the foule bodie of th' infected world,
If they will patiently receiue my medicine

   Du.Sen. Fie on thee. I can tell what thou wouldst do

   Iaq. What, for a Counter, would I do, but good?
  Du.Sen. Most mischeeuous foule sin, in chiding sin:
For thou thy selfe hast bene a Libertine,
As sensuall as the brutish sting it selfe,
And all th' imbossed sores, and headed euils,
That thou with license of free foot hast caught,
Would'st thou disgorge into the generall world

   Iaq. Why who cries out on pride,
That can therein taxe any priuate party:
Doth it not flow as hugely as the Sea,
Till that the wearie verie meanes do ebbe.
What woman in the Citie do I name,
When that I say the City woman beares
The cost of Princes on vnworthy shoulders?
Who can come in, and say that I meane her,
When such a one as shee, such is her neighbor?
Or what is he of basest function,
That sayes his brauerie is not on my cost,
Thinking that I meane him, but therein suites
His folly to the mettle of my speech,
There then, how then, what then, let me see wherein
My tongue hath wrong'd him: if it do him right,
Then he hath wrong'd himselfe: if he be free,
Why then my taxing like a wild-goose flies
Vnclaim'd of any man. But who come here?
Enter Orlando.

  Orl. Forbeare, and eate no more

   Iaq. Why I haue eate none yet

   Orl. Nor shalt not, till necessity be seru'd

   Iaq. Of what kinde should this Cocke come of?
  Du.Sen. Art thou thus bolden'd man by thy distres?
Or else a rude despiser of good manners,
That in ciuility thou seem'st so emptie?
  Orl. You touch'd my veine at first, the thorny point
Of bare distresse, hath tane from me the shew
Of smooth ciuility: yet am I in-land bred,
And know some nourture: But forbeare, I say,
He dies that touches any of this fruite,
Till I, and my affaires are answered

   Iaq. And you will not be answer'd with reason,
I must dye

   Du.Sen. What would you haue?
Your gentlenesse shall force, more then your force
Moue vs to gentlenesse

   Orl. I almost die for food, and let me haue it

   Du.Sen. Sit downe and feed, & welcom to our table
  Orl. Speake you so gently? Pardon me I pray you,
I thought that all things had bin sauage heere,
And therefore put I on the countenance
Of sterne command'ment. But what ere you are
That in this desert inaccessible,
Vnder the shade of melancholly boughes,
Loose, and neglect the creeping houres of time:
If euer you haue look'd on better dayes:
If euer beene where bels haue knoll'd to Church:
If euer sate at any good mans feast:
If euer from your eye-lids wip'd a teare,
And know what 'tis to pittie, and be pittied:
Let gentlenesse my strong enforcement be,
In the which hope, I blush, and hide my Sword

   Du.Sen. True is it, that we haue seene better dayes,
And haue with holy bell bin knowld to Church,
And sat at good mens feasts, and wip'd our eies
Of drops, that sacred pity hath engendred:
And therefore sit you downe in gentlenesse,
And take vpon command, what helpe we haue
That to your wanting may be ministred

   Orl. Then but forbeare your food a little while:
Whiles (like a Doe) I go to finde my Fawne,
And giue it food. There is an old poore man,
Who after me, hath many a weary steppe
Limpt in pure loue: till he be first suffic'd,
Opprest with two weake euils, age, and hunger,
I will not touch a bit

   Duke Sen. Go finde him out,
And we will nothing waste till you returne

   Orl. I thanke ye, and be blest for your good comfort

   Du.Sen. Thou seest, we are not all alone vnhappie:
This wide and vniuersall Theater
Presents more wofull Pageants then the Sceane
Wherein we play in

   Ia. All the world's a stage,
And all the men and women, meerely Players;
They haue their Exits and their Entrances,
And one man in his time playes many parts,
His Acts being seuen ages. At first the Infant,
Mewling, and puking in the Nurses armes:
Then, the whining Schoole-boy with his Satchell
And shining morning face, creeping like snaile
Vnwillingly to schoole. And then the Louer,
Sighing like Furnace, with a wofull ballad
Made to his Mistresse eye-brow. Then, a Soldier,
Full of strange oaths, and bearded like the Pard,
Ielous in honor, sodaine, and quicke in quarrell,
Seeking the bubble Reputation
Euen in the Canons mouth: And then, the Iustice
In faire round belly, with good Capon lin'd,
With eyes seuere, and beard of formall cut,
Full of wise sawes, and moderne instances,
And so he playes his part. The sixt age shifts
Into the leane and slipper'd Pantaloone,
With spectacles on nose, and pouch on side,
His youthfull hose well sau'd, a world too wide,
For his shrunke shanke, and his bigge manly voice,
Turning againe toward childish trebble pipes,
And whistles in his sound. Last Scene of all,
That ends this strange euentfull historie,
Is second childishnesse, and meere obliuion,
Sans teeth, sans eyes, sans taste, sans euery thing.
Enter Orlando with Adam.

  Du.Sen. Welcome: set downe your venerable burthen,
and let him feede

   Orl. I thanke you most for him

   Ad. So had you neede,
I scarce can speake to thanke you for my selfe

   Du.Sen. Welcome, fall too: I wil not trouble you,
As yet to question you about your fortunes:
Giue vs some Musicke, and good Cozen, sing.

Song.

Blow, blow, thou winter winde,
Thou art not so vnkinde, as mans ingratitude
Thy tooth is not so keene, because thou art not seene,
although thy breath be rude.
Heigh ho, sing heigh ho, vnto the greene holly,
Most frendship, is fayning; most Louing, meere folly:
The heigh ho, the holly,
This Life is most iolly.
Freize, freize, thou bitter skie that dost not bight so nigh
as benefitts forgot:
Though thou the waters warpe, thy sting is not so sharpe,
as freind remembred not.
Heigh ho, sing, &c

   Duke Sen. If that you were the good Sir Rowlands son,
As you haue whisper'd faithfully you were,
And as mine eye doth his effigies witnesse,
Most truly limn'd, and liuing in your face,
Be truly welcome hither: I am the Duke
That lou'd your Father, the residue of your fortune,
Go to my Caue, and tell mee. Good old man,
Thou art right welcome, as thy masters is:
Support him by the arme: giue me your hand,
And let me all your fortunes vnderstand.

Exeunt.


Actus Tertius. Scena Prima.

Enter Duke, Lords, & Oliuer.

  Du. Not see him since? Sir, sir, that cannot be:
But were I not the better part made mercie,
I should not seeke an absent argument
Of my reuenge, thou present: but looke to it,
Finde out thy brother wheresoere he is,
Seeke him with Candle: bring him dead, or liuing
Within this tweluemonth, or turne thou no more
To seeke a liuing in our Territorie.
Thy Lands and all things that thou dost call thine,
Worth seizure, do we seize into our hands,
Till thou canst quit thee by thy brothers mouth,
Of what we thinke against thee

   Ol. Oh that your Highnesse knew my heart in this:
I neuer lou'd my brother in my life

   Duke. More villaine thou. Well push him out of dores
And let my officers of such a nature
Make an extent vpon his house and Lands:
Do this expediently, and turne him going.

Exeunt.

Scena Secunda.

Enter Orlando.

  Orl. Hang there my verse, in witnesse of my loue,
And thou thrice crowned Queene of night suruey
With thy chaste eye, from thy pale spheare aboue
Thy Huntresse name, that my full life doth sway.
O Rosalind, these Trees shall be my Bookes,
And in their barkes my thoughts Ile charracter,
That euerie eye, which in this Forrest lookes,
Shall see thy vertue witnest euery where.
Run, run Orlando, carue on euery Tree,
The faire, the chaste, and vnexpressiue shee.

Exit

Enter Corin & Clowne.

  Co. And how like you this shepherds life Mr Touchstone?
  Clow. Truely Shepheard, in respect of it selfe, it is a
good life; but in respect that it is a shepheards life, it is
naught. In respect that it is solitary, I like it verie well:
but in respect that it is priuate, it is a very vild life. Now
in respect it is in the fields, it pleaseth mee well: but in
respect it is not in the Court, it is tedious. As it is a spare
life (looke you) it fits my humor well: but as there is no
more plentie in it, it goes much against my stomacke.
Has't any Philosophie in thee shepheard?
  Cor. No more, but that I know the more one sickens,
the worse at ease he is: and that hee that wants money,
meanes, and content, is without three good frends. That
the propertie of raine is to wet, and fire to burne: That
good pasture makes fat sheepe: and that a great cause of
the night, is lacke of the Sunne: That hee that hath learned
no wit by Nature, nor Art, may complaine of good
breeding, or comes of a very dull kindred

   Clo. Such a one is a naturall Philosopher:
Was't euer in Court, Shepheard?
  Cor. No truly

   Clo. Then thou art damn'd

   Cor. Nay, I hope

   Clo. Truly thou art damn'd, like an ill roasted Egge,
all on one side

   Cor. For not being at Court? your reason

   Clo. Why, if thou neuer was't at Court, thou neuer
saw'st good manners: if thou neuer saw'st good maners,
then thy manners must be wicked, and wickednes is sin,
and sinne is damnation: Thou art in a parlous state shepheard

   Cor. Not a whit Touchstone, those that are good maners
at the Court, are as ridiculous in the Countrey, as
the behauiour of the Countrie is most mockeable at the
Court. You told me, you salute not at the Court, but
you kisse your hands; that courtesie would be vncleanlie
if Courtiers were shepheards

   Clo. Instance, briefly: come, instance

   Cor. Why we are still handling our Ewes, and their
Fels you know are greasie

   Clo. Why do not your Courtiers hands sweate? and
is not the grease of a Mutton, as wholesome as the sweat
of a man? Shallow, shallow: A better instance I say:
Come

   Cor. Besides, our hands are hard

   Clo. Your lips wil feele them the sooner. Shallow agen:
a more sounder instance, come

   Cor. And they are often tarr'd ouer, with the surgery
of our sheepe: and would you haue vs kisse Tarre? The
Courtiers hands are perfum'd with Ciuet

   Clo. Most shallow man: Thou wormes meate in respect
of a good peece of flesh indeed: learne of the wise
and perpend: Ciuet is of a baser birth then Tarre, the
verie vncleanly fluxe of a Cat. Mend the instance Shepheard

   Cor. You haue too Courtly a wit, for me, Ile rest

   Clo. Wilt thou rest damn'd? God helpe thee shallow
man: God make incision in thee, thou art raw

   Cor. Sir, I am a true Labourer, I earne that I eate: get
that I weare; owe no man hate, enuie no mans happinesse:
glad of other mens good content with my harme:
and the greatest of my pride, is to see my Ewes graze, &
my Lambes sucke

   Clo. That is another simple sinne in you, to bring the
Ewes and the Rammes together, and to offer to get your
liuing, by the copulation of Cattle, to be bawd to a Belweather,
and to betray a shee-Lambe of a tweluemonth
to a crooked-pated olde Cuckoldly Ramme, out of all
reasonable match. If thou bee'st not damn'd for this, the
diuell himselfe will haue no shepherds, I cannot see else
how thou shouldst scape

   Cor. Heere comes yong Mr Ganimed, my new Mistrisses
Brother.
Enter Rosalind

   Ros. From the east to westerne Inde,
no iewel is like Rosalinde,
Hir worth being mounted on the winde,
through all the world beares Rosalinde.
All the pictures fairest Linde,
are but blacke to Rosalinde:
Let no face bee kept in mind,
but the faire of Rosalinde

   Clo. Ile rime you so, eight yeares together; dinners,
and suppers, and sleeping hours excepted: it is the right
Butter-womens ranke to Market

   Ros. Out Foole

   Clo. For a taste.
If a Hart doe lacke a Hinde,
Let him seeke out Rosalinde:
If the Cat will after kinde,
so be sure will Rosalinde:
Wintred garments must be linde,
so must slender Rosalinde:
They that reap must sheafe and binde,
then to cart with Rosalinde.
Sweetest nut, hath sowrest rinde,
such a nut is Rosalinde.
He that sweetest rose will finde,
must finde Loues pricke, & Rosalinde.
This is the verie false gallop of Verses, why doe you infect
your selfe with them?
  Ros. Peace you dull foole, I found them on a tree

   Clo. Truely the tree yeelds bad fruite

   Ros. Ile graffe it with you, and then I shall graffe it
with a Medler: then it will be the earliest fruit i'th country:
for you'l be rotten ere you bee halfe ripe, and that's
the right vertue of the Medler

   Clo. You haue said: but whether wisely or no, let the
Forrest iudge.
Enter Celia with a writing.

  Ros. Peace, here comes my sister reading, stand aside

   Cel. Why should this Desert bee,
for it is vnpeopled? Noe:
Tonges Ile hang on euerie tree,
that shall ciuill sayings shoe.
Some, how briefe the Life of man
runs his erring pilgrimage,
That the stretching of a span,
buckles in his summe of age.
Some of violated vowes,
twixt the soules of friend, and friend:
But vpon the fairest bowes,
or at euerie sentence end;
Will I Rosalinda write,
teaching all that reade, to know
The quintessence of euerie sprite,
heauen would in little show.
Therefore heauen Nature charg'd,
that one bodie should be fill'd
With all Graces wide enlarg'd,
nature presently distill'd
Helens cheeke, but not his heart,
Cleopatra's Maiestie:
Attalanta's better part,
sad Lucrecia's Modestie.
Thus Rosalinde of manie parts,
by Heauenly Synode was deuis'd,
Of manie faces, eyes, and hearts,
to haue the touches deerest pris'd.
Heauen would that shee these gifts should haue,
and I to liue and die her slaue

   Ros. O most gentle Iupiter, what tedious homilie of
Loue haue you wearied your parishioners withall, and
neuer cri'de, haue patience good people

   Cel. How now backe friends: Shepheard, go off a little:
go with him sirrah

   Clo. Come Shepheard, let vs make an honorable retreit,
though not with bagge and baggage, yet with
scrip and scrippage.
Enter.

  Cel. Didst thou heare these verses?
  Ros. O yes, I heard them all, and more too, for some
of them had in them more feete then the Verses would
beare

   Cel. That's no matter: the feet might beare y verses

   Ros. I, but the feet were lame, and could not beare
themselues without the verse, and therefore stood lamely
in the verse

   Cel. But didst thou heare without wondering, how
thy name should be hang'd and carued vpon these trees?
  Ros. I was seuen of the nine daies out of the wonder,
before you came: for looke heere what I found on a
Palme tree; I was neuer so berim'd since Pythagoras time
that I was an Irish Rat, which I can hardly remember

   Cel. Tro you, who hath done this?
  Ros. Is it a man?
  Cel. And a chaine that you once wore about his neck:
change you colour?
  Ros. I pre'thee who?
  Cel. O Lord, Lord, it is a hard matter for friends to
meete; but Mountaines may bee remoou'd with Earthquakes,
and so encounter

   Ros. Nay, but who is it?
  Cel. Is it possible?
  Ros. Nay, I pre'thee now, with most petitionary vehemence,
tell me who it is

   Cel. O wonderfull, wonderfull, and most wonderfull
wonderfull, and yet againe wonderful, and after that out
of all hooping

   Ros. Good my complection, dost thou think though
I am caparison'd like a man, I haue a doublet and hose in
my disposition? One inch of delay more, is a South-sea
of discouerie. I pre'thee tell me, who is it quickely, and
speake apace: I would thou couldst stammer, that thou
might'st powre this conceal'd man out of thy mouth, as
Wine comes out of a narrow-mouth'd bottle: either too
much at once, or none at all. I pre'thee take the Corke
out of thy mouth, that I may drinke thy tydings

   Cel. So you may put a man in your belly

   Ros. Is he of Gods making? What manner of man?
Is his head worth a hat? Or his chin worth a beard?
  Cel. Nay, he hath but a little beard

   Ros. Why God will send more, if the man will bee
thankful: let me stay the growth of his beard, if thou
delay me not the knowledge of his chin

   Cel. It is yong Orlando, that tript vp the Wrastlers
heeles, and your heart, both in an instant

   Ros. Nay, but the diuell take mocking: speake sadde
brow, and true maid

   Cel. I'faith (Coz) tis he

   Ros. Orlando?
  Cel. Orlando

   Ros. Alas the day, what shall I do with my doublet &
hose? What did he when thou saw'st him? What sayde
he? How look'd he? Wherein went he? What makes hee
heere? Did he aske for me? Where remaines he? How
parted he with thee? And when shalt thou see him againe?
Answer me in one word

   Cel. You must borrow me Gargantuas mouth first:
'tis a Word too great for any mouth of this Ages size, to
say I and no, to these particulars, is more then to answer
in a Catechisme

   Ros. But doth he know that I am in this Forrest, and
in mans apparrell? Looks he as freshly, as he did the day
he Wrastled?
  Cel. It is as easie to count Atomies as to resolue the
propositions of a Louer: but take a taste of my finding
him, and rellish it with good obseruance. I found him
vnder a tree like a drop'd Acorne

   Ros. It may wel be cal'd Ioues tree, when it droppes
forth fruite

   Cel. Giue me audience, good Madam

   Ros. Proceed

   Cel. There lay hee stretch'd along like a Wounded
knight

   Ros. Though it be pittie to see such a sight, it well
becomes the ground

   Cel. Cry holla, to the tongue, I prethee: it curuettes
vnseasonably. He was furnish'd like a Hunter

   Ros. O ominous, he comes to kill my Hart

   Cel. I would sing my song without a burthen, thou
bring'st me out of tune

   Ros. Do you not know I am a woman, when I thinke,
I must speake: sweet, say on.
Enter Orlando & Iaques.

  Cel. You bring me out. Soft, comes he not heere?
  Ros. 'Tis he, slinke by, and note him

   Iaq. I thanke you for your company, but good faith
I had as liefe haue beene my selfe alone

   Orl. And so had I: but yet for fashion sake
I thanke you too, for your societie

   Iaq. God buy you, let's meet as little as we can

   Orl. I do desire we may be better strangers

   Iaq. I pray you marre no more trees with Writing
Loue-songs in their barkes

   Orl. I pray you marre no moe of my verses with reading
them ill-fauouredly

   Iaq. Rosalinde is your loues name?
  Orl. Yes, Iust

   Iaq. I do not like her name

   Orl. There was no thought of pleasing you when she
was christen'd

   Iaq. What stature is she of?
  Orl. Iust as high as my heart

   Iaq. You are ful of prety answers: haue you not bin acquainted
with goldsmiths wiues, & cond the[m] out of rings
  Orl. Not so: but I answer you right painted cloath,
from whence you haue studied your questions

   Iaq. You haue a nimble wit; I thinke 'twas made of
Attalanta's heeles. Will you sitte downe with me, and
wee two, will raile against our Mistris the world, and all
our miserie

   Orl. I wil chide no breather in the world but my selfe
against whom I know most faults

   Iaq. The worst fault you haue, is to be in loue

   Orl. 'Tis a fault I will not change, for your best vertue:
I am wearie of you

   Iaq. By my troth, I was seeking for a Foole, when I
found you

   Orl. He is drown'd in the brooke, looke but in, and
you shall see him

   Iaq. There I shal see mine owne figure

   Orl. Which I take to be either a foole, or a Cipher

   Iaq. Ile tarrie no longer with you, farewell good signior
Loue

   Orl. I am glad of your departure: Adieu good Monsieur
Melancholly

   Ros. I wil speake to him like a sawcie Lacky, and vnder
that habit play the knaue with him, do you hear Forrester

   Orl. Verie wel, what would you?
  Ros. I pray you, what i'st a clocke?
  Orl. You should aske me what time o' day: there's no
clocke in the Forrest

   Ros. Then there is no true Louer in the Forrest, else
sighing euerie minute, and groaning euerie houre wold
detect the lazie foot of time, as wel as a clocke

   Orl. And why not the swift foote of time? Had not
that bin as proper?
  Ros. By no meanes sir; Time trauels in diuers paces,
with diuers persons: Ile tel you who Time ambles withall,
who Time trots withal, who Time gallops withal,
and who he stands stil withall

   Orl. I prethee, who doth he trot withal?
  Ros. Marry he trots hard with a yong maid, between
the contract of her marriage, and the day it is solemnizd:
if the interim be but a sennight, Times pace is so hard,
that it seemes the length of seuen yeare

   Orl. Who ambles Time withal?
  Ros. With a Priest that lacks Latine, and a rich man
that hath not the Gowt: for the one sleepes easily because
he cannot study, and the other liues merrily, because
he feeles no paine: the one lacking the burthen of
leane and wasteful Learning; the other knowing no burthen
of heauie tedious penurie. These Time ambles
withal

   Orl. Who doth he gallop withal?
  Ros. With a theefe to the gallowes: for though hee
go as softly as foot can fall, he thinkes himselfe too soon
there

   Orl. Who staies it stil withal?
  Ros. With Lawiers in the vacation: for they sleepe
betweene Terme and Terme, and then they perceiue not
how time moues

   Orl. Where dwel you prettie youth?
  Ros. With this Shepheardesse my sister: heere in the
skirts of the Forrest, like fringe vpon a petticoat

   Orl. Are you natiue of this place?
  Ros. As the Conie that you see dwell where shee is
kindled

   Orl. Your accent is something finer, then you could
purchase in so remoued a dwelling

   Ros. I haue bin told so of many: but indeed, an olde
religious Vnckle of mine taught me to speake, who was
in his youth an inland man, one that knew Courtship too
well: for there he fel in loue. I haue heard him read many
Lectors against it, and I thanke God, I am not a Woman
to be touch'd with so many giddie offences as hee
hath generally tax'd their whole sex withal

   Orl. Can you remember any of the principall euils,
that he laid to the charge of women?
  Ros. There were none principal, they were all like
one another, as halfepence are, euerie one fault seeming
monstrous, til his fellow-fault came to match it

   Orl. I prethee recount some of them

   Ros. No: I wil not cast away my physick, but on those
that are sicke. There is a man haunts the Forrest, that abuses
our yong plants with caruing Rosalinde on their
barkes; hangs Oades vpon Hauthornes, and Elegies on
brambles; all (forsooth) defying the name of Rosalinde.
If I could meet that Fancie-monger, I would giue him
some good counsel, for he seemes to haue the Quotidian
of Loue vpon him

   Orl. I am he that is so Loue-shak'd, I pray you tel
me your remedie

   Ros. There is none of my Vnckles markes vpon you:
he taught me how to know a man in loue: in which cage
of rushes, I am sure you art not prisoner

   Orl. What were his markes?
  Ros. A leane cheeke, which you haue not: a blew eie
and sunken, which you haue not: an vnquestionable spirit,
which you haue not: a beard neglected, which you
haue not: (but I pardon you for that, for simply your hauing
in beard, is a yonger brothers reuennew) then your
hose should be vngarter'd, your bonnet vnbanded, your
sleeue vnbutton'd, your shoo vnti'de, and euerie thing
about you, demonstrating a carelesse desolation: but you
are no such man; you are rather point deuice in your
accoustrements,
as louing your selfe, then seeming the Louer
of any other

   Orl. Faire youth, I would I could make thee beleeue I Loue

   Ros. Me beleeue it? You may assoone make her that
you Loue beleeue it, which I warrant she is apter to do,
then to confesse she do's: that is one of the points, in the
which women stil giue the lie to their consciences. But
in good sooth, are you he that hangs the verses on the
Trees, wherein Rosalind is so admired?
  Orl. I sweare to thee youth, by the white hand of
Rosalind, I am that he, that vnfortunate he

   Ros. But are you so much in loue, as your rimes speak?
  Orl. Neither rime nor reason can expresse how much

   Ros. Loue is meerely a madnesse, and I tel you, deserues
as wel a darke house, and a whip, as madmen do:
and the reason why they are not so punish'd and cured, is
that the Lunacie is so ordinarie, that the whippers are in
loue too: yet I professe curing it by counsel

   Orl. Did you euer cure any so?
  Ros. Yes one, and in this manner. Hee was to imagine
me his Loue, his Mistris: and I set him euerie day
to woe me. At which time would I, being but a moonish
youth, greeue, be effeminate, changeable, longing, and
liking, proud, fantastical, apish, shallow, inconstant, ful
of teares, full of smiles; for euerie passion something, and
for no passion truly any thing, as boyes and women are
for the most part, cattle of this colour: would now like
him, now loath him: then entertaine him, then forswear
him: now weepe for him, then spit at him; that I draue
my Sutor from his mad humor of loue, to a liuing humor
of madnes, w was to forsweare the ful stream of y world,
and to liue in a nooke meerly Monastick: and thus I cur'd
him, and this way wil I take vpon mee to wash your Liuer
as cleane as a sound sheepes heart, that there shal not
be one spot of Loue in't

   Orl. I would not be cured, youth

   Ros. I would cure you, if you would but call me Rosalind,
and come euerie day to my Coat, and woe me

   Orlan. Now by the faith of my loue, I will; Tel me
where it is

   Ros. Go with me to it, and Ile shew it you: and by
the way, you shal tell me, where in the Forrest you liue:
Wil you go?
  Orl. With all my heart, good youth

   Ros. Nay, you must call mee Rosalind: Come sister,
will you go?

Exeunt.


Scoena Tertia.

Enter Clowne, Audrey, & Iaques.

  Clo. Come apace good Audrey, I wil fetch vp your
Goates, Audrey: and how Audrey am I the man yet?
Doth my simple feature content you?
  Aud. Your features, Lord warrant vs: what features?
  Clo. I am heere with thee, and thy Goats, as the most
capricious Poet honest Ouid was among the Gothes

   Iaq. O knowledge ill inhabited, worse then Ioue in
a thatch'd house

   Clo. When a mans verses cannot be vnderstood, nor
a mans good wit seconded with the forward childe, vnderstanding:
it strikes a man more dead then a great reckoning
in a little roome: truly, I would the Gods hadde
made thee poeticall

   Aud. I do not know what Poetical is: is it honest in
deed and word: is it a true thing?
  Clo. No trulie: for the truest poetrie is the most faining,
and Louers are giuen to Poetrie: and what they
sweare in Poetrie, may be said as Louers, they do feigne

   Aud. Do you wish then that the Gods had made me
Poeticall?
  Clow. I do truly: for thou swear'st to me thou art honest:
Now if thou wert a Poet, I might haue some hope
thou didst feigne

   Aud. Would you not haue me honest?
  Clo. No truly, vnlesse thou wert hard fauour'd: for
honestie coupled to beautie, is to haue Honie a sawce to
Sugar

   Iaq. A materiall foole

   Aud. Well, I am not faire, and therefore I pray the
Gods make me honest

   Clo. Truly, and to cast away honestie vppon a foule
slut, were to put good meate into an vncleane dish

   Aud. I am not a slut, though I thanke the Goddes I
am foule

   Clo. Well, praised be the Gods, for thy foulnesse; sluttishnesse
may come heereafter. But be it, as it may bee,
I wil marrie thee: and to that end, I haue bin with Sir
Oliuer Mar-text, the Vicar of the next village, who hath
promis'd to meete me in this place of the Forrest, and to
couple vs

   Iaq. I would faine see this meeting

   Aud. Wel, the Gods giue vs ioy

   Clo. Amen. A man may if he were of a fearful heart,
stagger in this attempt: for heere wee haue no Temple
but the wood, no assembly but horne-beasts. But what
though? Courage. As hornes are odious, they are necessarie.
It is said, many a man knowes no end of his goods;
right: Many a man has good Hornes, and knows no end
of them. Well, that is the dowrie of his wife, 'tis none
of his owne getting; hornes, euen so poore men alone:
No, no, the noblest Deere hath them as huge as the Rascall:
Is the single man therefore blessed? No, as a wall'd
Towne is more worthier then a village, so is the forehead
of a married man, more honourable then the bare
brow of a Batcheller: and by how much defence is better
then no skill, by so much is a horne more precious
then to want.
Enter Sir Oliuer Mar-text.

Heere comes Sir Oliuer: Sir Oliuer Mar-text you are
wel met. Will you dispatch vs heere vnder this tree, or
shal we go with you to your Chappell?
  Ol. Is there none heere to giue the woman?
  Clo. I wil not take her on guift of any man

   Ol. Truly she must be giuen, or the marriage is not
lawfull

   Iaq. Proceed, proceede: Ile giue her

   Clo. Good euen good Mr what ye cal't: how do you
Sir, you are verie well met: goddild you for your last
companie, I am verie glad to see you, euen a toy in hand
heere Sir: Nay, pray be couer'd

   Iaq. Wil you be married, Motley?
  Clo. As the Oxe hath his bow sir, the horse his curb,
and the Falcon her bels, so man hath his desires, and as
Pigeons bill, so wedlocke would be nibling

   Iaq. And wil you (being a man of your breeding) be
married vnder a bush like a begger? Get you to church,
and haue a good Priest that can tel you what marriage is,
this fellow wil but ioyne you together, as they ioyne
Wainscot, then one of you wil proue a shrunke pannell,
and like greene timber, warpe, warpe

   Clo. I am not in the minde, but I were better to bee
married of him then of another, for he is not like to marrie
me wel: and not being wel married, it wil be a good
excuse for me heereafter, to leaue my wife

   Iaq. Goe thou with mee,
And let me counsel thee

   Ol. Come sweete Audrey,
We must be married, or we must liue in baudrey:
Farewel good Mr Oliuer: Not O sweet Oliuer, O braue
Oliuer leaue me not behind thee: But winde away, bee
gone I say, I wil not to wedding with thee

   Ol. 'Tis no matter; Ne're a fantastical knaue of them
all shal flout me out of my calling.

Exeunt.

Scoena Quarta.

Enter Rosalind & Celia.

  Ros. Neuer talke to me, I wil weepe

   Cel. Do I prethee, but yet haue the grace to consider,
that teares do not become a man

   Ros. But haue I not cause to weepe?
  Cel. As good cause as one would desire,
Therefore weepe

   Ros. His very haire
Is of the dissembling colour

   Cel. Something browner then Iudasses:
Marrie his kisses are Iudasses owne children

   Ros. I'faith his haire is of a good colour

   Cel. An excellent colour:
Your Chessenut was euer the onely colour:
  Ros. And his kissing is as ful of sanctitie,
As the touch of holy bread

   Cel. Hee hath bought a paire of cast lips of Diana: a
Nun of winters sisterhood kisses not more religiouslie,
the very yce of chastity is in them

   Rosa. But why did hee sweare hee would come this
morning, and comes not?
  Cel. Nay certainly there is no truth in him

   Ros. Doe you thinke so?
  Cel. Yes, I thinke he is not a picke purse, nor a horse-stealer,
but for his verity in loue, I doe thinke him as
concaue as a couered goblet, or a Worme-eaten nut

   Ros. Not true in loue?
  Cel. Yes, when he is in, but I thinke he is not in

   Ros. You haue heard him sweare downright he was

   Cel. Was, is not is: besides, the oath of Louer is no
stronger then the word of a Tapster, they are both the
confirmer of false reckonings, he attends here in the forrest
on the Duke your father

   Ros. I met the Duke yesterday, and had much question
with him: he askt me of what parentage I was; I
told him of as good as he, so he laugh'd and let mee goe.
But what talke wee of Fathers, when there is such a man
as Orlando?
  Cel. O that's a braue man, hee writes braue verses,
speakes braue words, sweares braue oathes, and breakes
them brauely, quite trauers athwart the heart of his louer,
as a puisny Tilter, y spurs his horse but on one side,
breakes his staffe like a noble goose; but all's braue that
youth mounts, and folly guides: who comes heere?
Enter Corin.

  Corin. Mistresse and Master, you haue oft enquired
After the Shepheard that complain'd of loue,
Who you saw sitting by me on the Turph,
Praising the proud disdainfull Shepherdesse
That was his Mistresse

   Cel. Well: and what of him?
  Cor. If you will see a pageant truely plaid
Betweene the pale complexion of true Loue,
And the red glowe of scorne and prowd disdaine,
Goe hence a little, and I shall conduct you
If you will marke it

   Ros. O come, let vs remoue,
The sight of Louers feedeth those in loue:
Bring vs to this sight, and you shall say
Ile proue a busie actor in their play.

Exeunt.


Scena Quinta.


Enter Siluius and Phebe.

  Sil. Sweet Phebe doe not scorne me, do not Phebe
Say that you loue me not, but say not so
In bitternesse; the common executioner
Whose heart th' accustom'd sight of death makes hard
Falls not the axe vpon the humbled neck,
But first begs pardon: will you sterner be
Then he that dies and liues by bloody drops?
Enter Rosalind, Celia, and Corin.

  Phe. I would not be thy executioner,
I flye thee, for I would not iniure thee:
Thou tellst me there is murder in mine eye,
'Tis pretty sure, and very probable,
That eyes that are the frailst, and softest things,
Who shut their coward gates on atomyes,
Should be called tyrants, butchers, murtherers.
Now I doe frowne on thee with all my heart,
And if mine eyes can wound, now let them kill thee:
Now counterfeit to swound, why now fall downe,
Or if thou canst not, oh for shame, for shame,
Lye not, to say mine eyes are murtherers:
Now shew the wound mine eye hath made in thee,
Scratch thee but with a pin, and there remaines
Some scarre of it: Leane vpon a rush
The Cicatrice and capable impressure
Thy palme some moment keepes: but now mine eyes
Which I haue darted at thee, hurt thee not,
Nor I am sure there is no force in eyes
That can doe hurt

   Sil. O deere Phebe,
If euer (as that euer may be neere)
You meet in some fresh cheeke the power of fancie,
Then shall you know the wounds inuisible
That Loues keene arrows make

   Phe. But till that time
Come not thou neere me: and when that time comes,
Afflict me with thy mockes, pitty me not,
As till that time I shall not pitty thee

   Ros. And why I pray you? who might be your mother
That you insult, exult, and all at once
Ouer the wretched? what though you haue no beauty
As by my faith, I see no more in you
Then without Candle may goe darke to bed:
Must you be therefore prowd and pittilesse?
Why what meanes this? why do you looke on me?
I see no more in you then in the ordinary
Of Natures sale-worke? 'ods my little life,
I thinke she meanes to tangle my eies too:
No faith proud Mistresse, hope not after it,
'Tis not your inkie browes, your blacke silke haire,
Your bugle eye-balls, nor your cheeke of creame
That can entame my spirits to your worship:
You foolish Shepheard, wherefore do you follow her
Like foggy South, puffing with winde and raine,
You are a thousand times a properer man
Then she a woman. 'Tis such fooles as you
That makes the world full of ill-fauourd children:
'Tis not her glasse, but you that flatters her,
And out of you she sees her selfe more proper
Then any of her lineaments can show her:
But Mistris, know your selfe, downe on your knees
And thanke heauen, fasting, for a good mans loue;
For I must tell you friendly in your eare,
Sell when you can, you are not for all markets:
Cry the man mercy, loue him, take his offer,
Foule is most foule, being foule to be a scoffer.
So take her to thee Shepheard, fareyouwell

   Phe. Sweet youth, I pray you chide a yere together,
I had rather here you chide, then this man wooe

   Ros. Hees falne in loue with your foulnesse, & shee'll
Fall in loue with my anger. If it be so, as fast
As she answeres thee with frowning lookes, ile sauce
Her with bitter words: why looke you so vpon me?
  Phe. For no ill will I beare you

   Ros. I pray you do not fall in loue with mee,
For I am falser then vowes made in wine:
Besides, I like you not: if you will know my house,
'Tis at the tufft of Oliues, here hard by:
Will you goe Sister? Shepheard ply her hard:
Come Sister: Shepheardesse, looke on him better
And be not proud, though all the world could see,
None could be so abus'd in sight as hee.
Come, to our flocke,
Enter.

  Phe. Dead Shepheard, now I find thy saw of might,
Who euer lov'd, that lou'd not at first sight?
  Sil. Sweet Phebe

   Phe. Hah: what saist thou Siluius?
  Sil. Sweet Phebe pitty me

   Phe. Why I am sorry for thee gentle Siluius

   Sil. Where euer sorrow is, reliefe would be:
If you doe sorrow at my griefe in loue,
By giuing loue your sorrow, and my griefe
Were both extermin'd

   Phe. Thou hast my loue, is not that neighbourly?
  Sil. I would haue you

   Phe. Why that were couetousnesse:
Siluius; the time was, that I hated thee;
And yet it is not, that I beare thee loue,
But since that thou canst talke of loue so well,
Thy company, which erst was irkesome to me
I will endure; and Ile employ thee too:
But doe not looke for further recompence
Then thine owne gladnesse, that thou art employd

   Sil. So holy, and so perfect is my loue,
And I in such a pouerty of grace,
That I shall thinke it a most plenteous crop
To gleane the broken eares after the man
That the maine haruest reapes: loose now and then
A scattred smile, and that Ile liue vpon

   Phe. Knowst thou the youth that spoke to mee yerewhile?
  Sil. Not very well, but I haue met him oft,
And he hath bought the Cottage and the bounds
That the old Carlot once was Master of

   Phe. Thinke not I loue him, though I ask for him,
'Tis but a peeuish boy, yet he talkes well,
But what care I for words? yet words do well
When he that speakes them pleases those that heare:
It is a pretty youth, not very prettie,
But sure hee's proud, and yet his pride becomes him;
Hee'll make a proper man: the best thing in him
Is his complexion: and faster then his tongue
Did make offence, his eye did heale it vp:
He is not very tall, yet for his yeeres hee's tall:
His leg is but so so, and yet 'tis well:
There was a pretty rednesse in his lip,
A little riper, and more lustie red
Then that mixt in his cheeke: 'twas iust the difference
Betwixt the constant red, and mingled Damaske.
There be some women Siluius, had they markt him
In parcells as I did, would haue gone neere
To fall in loue with him: but for my part
I loue him not, nor hate him not: and yet
Haue more cause to hate him then to loue him,
For what had he to doe to chide at me?
He said mine eyes were black, and my haire blacke,
And now I am remembred, scorn'd at me:
I maruell why I answer'd not againe,
But that's all one: omittance is no quittance:
Ile write to him a very tanting Letter,
And thou shalt beare it, wilt thou Siluius?
  Sil. Phebe, with all my heart

   Phe. Ile write it strait:
The matter's in my head, and in my heart,
I will be bitter with him, and passing short;
Goe with me Siluius.

Exeunt.


Actus Quartus. Scena Prima.

Enter Rosalind, and Celia, and Iaques.

  Iaq. I prethee, pretty youth, let me better acquainted
with thee

   Ros They say you are a melancholly fellow

   Iaq. I am so: I doe loue it better then laughing

   Ros. Those that are in extremity of either, are abhominable
fellowes, and betray themselues to euery moderne
censure, worse then drunkards

   Iaq. Why, 'tis good to be sad and say nothing

   Ros. Why then 'tis good to be a poste

   Iaq. I haue neither the Schollers melancholy, which
is emulation: nor the Musitians, which is fantasticall;
nor the Courtiers, which is proud: nor the Souldiers,
which is ambitious: nor the Lawiers, which is politick:
nor the Ladies, which is nice: nor the Louers, which
is all these: but it is a melancholy of mine owne, compounded
of many simples, extracted from many obiects,
and indeed the sundrie contemplation of my trauells, in
which by often rumination, wraps me in a most humorous
sadnesse

   Ros. A Traueller: by my faith you haue great reason
to be sad: I feare you haue sold your owne Lands,
to see other mens; then to haue seene much, and to haue
nothing, is to haue rich eyes and poore hands

   Iaq. Yes, I haue gain'd my experience.
Enter Orlando.

  Ros. And your experience makes you sad: I had rather
haue a foole to make me merrie, then experience to
make me sad, and to trauaile for it too

   Orl. Good day, and happinesse, deere Rosalind

   Iaq. Nay then God buy you, and you talke in blanke
verse

   Ros. Farewell Mounsieur Trauellor: looke you
lispe, and weare strange suites; disable all the benefits
of your owne Countrie: be out of loue with your
natiuitie, and almost chide God for making you that
countenance you are; or I will scarce thinke you haue
swam in a Gundello. Why how now Orlando, where
haue you bin all this while? you a louer? and you
serue me such another tricke, neuer come in my sight
more

   Orl. My faire Rosalind, I come within an houre of my
promise

   Ros. Breake an houres promise in loue? hee that
will diuide a minute into a thousand parts, and breake
but a part of the thousand part of a minute in the affairs
of loue, it may be said of him that Cupid hath clapt
him oth' shoulder, but Ile warrant him heart hole

   Orl. Pardon me deere Rosalind

   Ros. Nay, and you be so tardie, come no more in my
sight, I had as liefe be woo'd of a Snaile

   Orl. Of a Snaile?
  Ros. I, of a Snaile: for though he comes slowly, hee
carries his house on his head; a better ioyncture I thinke
then you make a woman: besides, he brings his destinie
with him

   Orl. What's that?
  Ros. Why hornes: w such as you are faine to be beholding
to your wiues for: but he comes armed in his
fortune, and preuents the slander of his wife

   Orl. Vertue is no horne-maker: and my Rosalind is
vertuous

   Ros. And I am your Rosalind

   Cel. It pleases him to call you so: but he hath a Rosalind
of a better leere then you

   Ros. Come, wooe me, wooe mee: for now I am in a
holy-day humor, and like enough to consent: What
would you say to me now, and I were your verie, verie
Rosalind?
  Orl. I would kisse before I spoke

   Ros. Nay, you were better speake first, and when you
were grauel'd, for lacke of matter, you might take occasion
to kisse: verie good Orators when they are out,
they will spit, and for louers, lacking (God warne vs)
matter, the cleanliest shift is to kisse

   Orl. How if the kisse be denide?
  Ros. Then she puts you to entreatie, and there begins
new matter

   Orl. Who could be out, being before his beloued
Mistris?
  Ros. Marrie that should you if I were your Mistris,
or I should thinke my honestie ranker then my wit

   Orl. What, of my suite?
  Ros. Not out of your apparrell, and yet out of your
suite:
Am not I your Rosalind?
  Orl. I take some ioy to say you are, because I would
be talking of her

   Ros. Well, in her person, I say I will not haue you

   Orl. Then in mine owne person, I die

   Ros. No faith, die by Attorney: the poore world is
almost six thousand yeeres old, and in all this time there
was not anie man died in his owne person (videlicet) in
a loue cause: Troilous had his braines dash'd out with a
Grecian club, yet he did what hee could to die before,
and he is one of the patternes of loue. Leander, he would
haue liu'd manie a faire yeere though Hero had turn'd
Nun; if it had not bin for a hot Midsomer-night, for
(good youth) he went but forth to wash him in the Hellespont,
and being taken with the crampe, was droun'd,
and the foolish Chronoclers of that age, found it was
Hero of Cestos. But these are all lies, men haue died
from time to time, and wormes haue eaten them, but not
for loue

   Orl. I would not haue my right Rosalind of this mind,
for I protest her frowne might kill me

   Ros. By this hand, it will not kill a flie: but come,
now I will be your Rosalind in a more comming-on disposition:
and aske me what you will, I will grant it

   Orl. Then loue me Rosalind

   Ros. Yes faith will I, fridaies and saterdaies, and all

   Orl. And wilt thou haue me?
  Ros. I, and twentie such

   Orl. What saiest thou?
  Ros. Are you not good?
  Orl. I hope so

   Rosalind. Why then, can one desire too much of a
good thing: Come sister, you shall be the Priest, and
marrie vs: giue me your hand Orlando: What doe you
say sister?
  Orl. Pray thee marrie vs

   Cel. I cannot say the words

   Ros. You must begin, will you Orlando

   Cel. Goe too: wil you Orlando, haue to wife this Rosalind?
  Orl. I will

   Ros. I, but when?
  Orl. Why now, as fast as she can marrie vs

   Ros. Then you must say, I take thee Rosalind for
wife

   Orl. I take thee Rosalind for wife

   Ros. I might aske you for your Commission,
But I doe take thee Orlando for my husband: there's a
girle goes before the Priest, and certainely a Womans
thought runs before her actions

   Orl. So do all thoughts, they are wing'd

   Ros. Now tell me how long you would haue her, after
you haue possest her?
  Orl. For euer, and a day

   Ros. Say a day, without the euer: no, no Orlando, men
are Aprill when they woe, December when they wed:
Maides are May when they are maides, but the sky changes
when they are wiues: I will bee more iealous of
thee, then a Barbary cocke-pidgeon ouer his hen, more
clamorous then a Parrat against raine, more new-fangled
then an ape, more giddy in my desires, then a monkey:
I will weepe for nothing, like Diana in the Fountaine,
& I wil do that when you are dispos'd to be merry:
I will laugh like a Hyen, and that when thou art inclin'd
to sleepe

   Orl. But will my Rosalind doe so?
  Ros. By my life, she will doe as I doe

   Orl. O but she is wise

   Ros. Or else shee could not haue the wit to doe this:
the wiser, the waywarder: make the doores vpon a womans
wit, and it will out at the casement: shut that, and
'twill out at the key-hole: stop that, 'twill flie with the
smoake out at the chimney

   Orl. A man that had a wife with such a wit, he might
say, wit whether wil't?
  Ros. Nay, you might keepe that checke for it, till you
met your wiues wit going to your neighbours bed

   Orl. And what wit could wit haue, to excuse that?
  Rosa. Marry to say, she came to seeke you there: you
shall neuer take her without her answer, vnlesse you take
her without her tongue: o that woman that cannot
make her fault her husbands occasion, let her neuer nurse
her childe her selfe, for she will breed it like a foole

   Orl. For these two houres Rosalinde, I wil leaue thee

   Ros. Alas, deere loue, I cannot lacke thee two houres

   Orl. I must attend the Duke at dinner, by two a clock
I will be with thee againe

   Ros. I, goe your waies, goe your waies: I knew what
you would proue, my friends told mee as much, and I
thought no lesse: that flattering tongue of yours wonne
me: 'tis but one cast away, and so come death: two o'
clocke is your howre

   Orl. I, sweet Rosalind

   Ros. By my troth, and in good earnest, and so God
mend mee, and by all pretty oathes that are not dangerous,
if you breake one iot of your promise, or come one
minute behinde your houre, I will thinke you the most
patheticall breake-promise, and the most hollow louer,
and the most vnworthy of her you call Rosalinde, that
may bee chosen out of the grosse band of the vnfaithfull:
therefore beware my censure, and keep your promise

   Orl. With no lesse religion, then if thou wert indeed
my Rosalind: so adieu

   Ros. Well, Time is the olde Iustice that examines all
such offenders, and let time try: adieu.
Enter.

  Cel. You haue simply misus'd our sexe in your loue-prate:
we must haue your doublet and hose pluckt ouer
your head, and shew the world what the bird hath done
to her owne neast

   Ros. O coz, coz, coz: my pretty little coz, that thou
didst know how many fathome deepe I am in loue: but
it cannot bee sounded: my affection hath an vnknowne
bottome, like the Bay of Portugall

   Cel. Or rather bottomlesse, that as fast as you poure
affection in, it runs out

   Ros. No, that same wicked Bastard of Venus, that was
begot of thought, conceiu'd of spleene, and borne of
madnesse, that blinde rascally boy, that abuses euery
ones eyes, because his owne are out, let him bee iudge,
how deepe I am in loue: ile tell thee Aliena, I cannot be
out of the sight of Orlando: Ile goe finde a shadow, and
sigh till he come

   Cel. And Ile sleepe.

Exeunt.



Scena Secunda.

Enter Iaques and Lords, Forresters.

  Iaq. Which is he that killed the Deare?
  Lord. Sir, it was I

   Iaq. Let's present him to the Duke like a Romane
Conquerour, and it would doe well to set the Deares
horns vpon his head, for a branch of victory; haue you
no song Forrester for this purpose?
  Lord. Yes Sir

   Iaq. Sing it: 'tis no matter how it bee in tune, so it
make noyse enough.

Musicke, Song.

What shall he haue that kild the Deare?
His Leather skin, and hornes to weare:
Then sing him home, the rest shall beare this burthen;
Take thou no scorne to weare the horne,
It was a crest ere thou wast borne,
Thy fathers father wore it,
And thy father bore it,
The horne, the horne, the lusty horne,
Is not a thing to laugh to scorne.

Exeunt.


Scoena Tertia.

Enter Rosalind and Celia.

  Ros. How say you now, is it not past two a clock?
And heere much Orlando

   Cel. I warrant you, with pure loue, & troubled brain,
Enter Siluius.

He hath t'ane his bow and arrowes, and is gone forth
To sleepe: looke who comes heere

   Sil. My errand is to you, faire youth,
My gentle Phebe, did bid me giue you this:
I know not the contents, but as I guesse
By the sterne brow, and waspish action
Which she did vse, as she was writing of it,
It beares an angry tenure; pardon me,
I am but as a guiltlesse messenger

   Ros. Patience her selfe would startle at this letter,
And play the swaggerer, beare this, beare all:
Shee saies I am not faire, that I lacke manners,
She calls me proud, and that she could not loue me
Were man as rare as Phenix: 'od's my will,
Her loue is not the Hare that I doe hunt,
Why writes she so to me? well Shepheard, well,
This is a Letter of your owne deuice

   Sil. No, I protest, I know not the contents,
Phebe did write it

   Ros. Come, come, you are a foole,
And turn'd into the extremity of loue.
I saw her hand, she has a leatherne hand,
A freestone coloured hand: I verily did thinke
That her old gloues were on, but twas her hands:
She has a huswiues hand, but that's no matter:
I say she neuer did inuent this letter,
This is a mans inuention, and his hand

   Sil. Sure it is hers

   Ros. Why, tis a boysterous and a cruell stile,
A stile for challengers: why, she defies me,
Like Turke to Christian: womens gentle braine
Could not drop forth such giant rude inuention,
Such Ethiop words, blacker in their effect
Then in their countenance: will you heare the letter?
  Sil. So please you, for I neuer heard it yet:
Yet heard too much of Phebes crueltie

   Ros. She Phebes me: marke how the tyrant writes.

Read.

Art thou god, to Shepherd turn'd?
That a maidens heart hath burn'd.
Can a woman raile thus?
  Sil. Call you this railing?
  Ros.

Read.

Why, thy godhead laid a part,
War'st thou with a womans heart?
Did you euer heare such railing?
Whiles the eye of man did wooe me,
That could do no vengeance to me.
Meaning me a beast.
If the scorne of your bright eine
Haue power to raise such loue in mine,
Alacke, in me, what strange effect
Would they worke in milde aspect?
Whiles you chid me, I did loue,
How then might your praiers moue?
He that brings this loue to thee,
Little knowes this Loue in me:
And by him seale vp thy minde,
Whether that thy youth and kinde
Will the faithfull offer take
Of me, and all that I can make,
Or else by him my loue denie,
And then Ile studie how to die

   Sil. Call you this chiding?
  Cel. Alas poore Shepheard

   Ros. Doe you pitty him? No, he deserues no pitty:
wilt thou loue such a woman? what to make thee an instrument,
and play false straines vpon thee? not to be endur'd.
Well, goe your way to her; (for I see Loue hath
made thee a tame snake) and say this to her; That if she
loue me, I charge her to loue thee: if she will not, I will
neuer haue her, vnlesse thou intreat for her: if you bee a
true louer hence, and not a word; for here comes more
company.

Exit. Sil.

Enter Oliuer.

  Oliu. Good morrow, faire ones: pray you, (if you | know)
Where in the Purlews of this Forrest, stands
A sheep-coat, fenc'd about with Oliue-trees

   Cel. West of this place, down in the neighbor bottom
The ranke of Oziers, by the murmuring streame
Left on your right hand, brings you to the place:
But at this howre, the house doth keepe it selfe,
There's none within

   Oli. If that an eye may profit by a tongue,
Then should I know you by description,
Such garments, and such yeeres: the boy is faire,
Of femall fauour, and bestowes himselfe
Like a ripe sister: the woman low
And browner then her brother: are not you
The owner of the house I did enquire for?
  Cel. It is no boast, being ask'd, to say we are

   Oli. Orlando doth commend him to you both,
And to that youth hee calls his Rosalind,
He sends this bloudy napkin; are you he?
  Ros. I am: what must we vnderstand by this?
  Oli. Some of my shame, if you will know of me
What man I am, and how, and why, and where
This handkercher was stain'd

   Cel. I pray you tell it

   Oli. When last the yong Orlando parted from you,
He left a promise to returne againe
Within an houre, and pacing through the Forrest,
Chewing the food of sweet and bitter fancie,
Loe what befell: he threw his eye aside,
And marke what obiect did present it selfe
Vnder an old Oake, whose bows were moss'd with age
And high top, bald with drie antiquitie:
A wretched ragged man, ore-growne with haire
Lay sleeping on his back; about his necke
A greene and guilded snake had wreath'd it selfe,
Who with her head, nimble in threats approach'd
The opening of his mouth: but sodainly
Seeing Orlando, it vnlink'd it selfe,
And with indented glides, did slip away
Into a bush, vnder which bushes shade
A Lyonnesse, with vdders all drawne drie,
Lay cowching head on ground, with catlike watch
When that the sleeping man should stirre; for 'tis
The royall disposition of that beast
To prey on nothing, that doth seeme as dead:
This seene, Orlando did approach the man,
And found it was his brother, his elder brother

   Cel. O I haue heard him speake of that same brother,
And he did render him the most vnnaturall
That liu'd amongst men

   Oli. And well he might so doe,
For well I know he was vnnaturall

   Ros. But to Orlando: did he leaue him there
Food to the suck'd and hungry Lyonnesse?
  Oli. Twice did he turne his backe, and purpos'd so:
But kindnesse, nobler euer then reuenge,
And Nature stronger then his iust occasion,
Made him giue battell to the Lyonnesse:
Who quickly fell before him, in which hurtling
From miserable slumber I awaked

   Cel. Are you his brother?
  Ros. Was't you he rescu'd?
  Cel. Was't you that did so oft contriue to kill him?
  Oli. 'Twas I: but 'tis not I: I doe not shame
To tell you what I was, since my conuersion
So sweetly tastes, being the thing I am

   Ros. But for the bloody napkin?
  Oli. By and by:
When from the first to last betwixt vs two,
Teares our recountments had most kindely bath'd,
As how I came into that Desert place.
In briefe, he led me to the gentle Duke,
Who gaue me fresh aray, and entertainment,
Committing me vnto my brothers loue,
Who led me instantly vnto his Caue,
There stript himselfe, and heere vpon his arme
The Lyonnesse had torne some flesh away,
Which all this while had bled; and now he fainted,
And cride in fainting vpon Rosalinde.
Briefe, I recouer'd him, bound vp his wound,
And after some small space, being strong at heart,
He sent me hither, stranger as I am
To tell this story, that you might excuse
His broken promise, and to giue this napkin
Died in this bloud, vnto the Shepheard youth,
That he in sport doth call his Rosalind

   Cel. Why how now Ganimed, sweet Ganimed

   Oli. Many will swoon when they do look on bloud

   Cel. There is more in it; Cosen Ganimed

   Oli. Looke, he recouers

   Ros. I would I were at home

   Cel. Wee'll lead you thither:
I pray you will you take him by the arme

   Oli. Be of good cheere youth: you a man?
You lacke a mans heart

   Ros. I doe so, I confesse it:
Ah, sirra, a body would thinke this was well counterfeited,
I pray you tell your brother how well I counterfeited:
heigh-ho

   Oli. This was not counterfeit, there is too great testimony
in your complexion, that it was a passion of earnest

   Ros. Counterfeit, I assure you

   Oli. Well then, take a good heart, and counterfeit to
be a man

   Ros. So I doe: but yfaith, I should haue beene a woman
by right

   Cel. Come, you looke paler and paler: pray you draw
homewards: good sir, goe with vs

   Oli. That will I: for I must beare answere backe
How you excuse my brother, Rosalind

   Ros. I shall deuise something: but I pray you commend
my counterfeiting to him: will you goe?

Exeunt.


Actus Quintus. Scena Prima.


Enter Clowne and Awdrie.

  Clow. We shall finde a time Awdrie, patience gentle
Awdrie

   Awd. Faith the Priest was good enough, for all the
olde gentlemans saying

   Clow. A most wicked Sir Oliuer, Awdrie, a most vile
Mar-text. But Awdrie, there is a youth heere in the
Forrest layes claime to you

   Awd. I, I know who 'tis: he hath no interest in mee
in the world: here comes the man you meane.
Enter William.

  Clo. It is meat and drinke to me to see a Clowne, by
my troth, we that haue good wits, haue much to answer
for: we shall be flouting: we cannot hold

   Will. Good eu'n Audrey

   Aud. God ye good eu'n William

   Will. And good eu'n to you Sir

   Clo. Good eu'n gentle friend. Couer thy head, couer
thy head: Nay prethee bee couer'd. How olde are you
Friend?
  Will. Fiue and twentie Sir

   Clo. A ripe age: Is thy name William?
  Will. William, sir

   Clo. A faire name. Was't borne i'th Forrest heere?
  Will. I sir, I thanke God

   Clo. Thanke God: A good answer:
Art rich?
  Will. 'Faith sir, so, so

   Cle. So, so, is good, very good, very excellent good:
and yet it is not, it is but so, so:
Art thou wise?
  Will. I sir, I haue a prettie wit

   Clo. Why, thou saist well. I do now remember a saying:
The Foole doth thinke he is wise, but the wiseman
knowes himselfe to be a Foole. The Heathen Philosopher,
when he had a desire to eate a Grape, would open
his lips when he put it into his mouth, meaning thereby,
that Grapes were made to eate, and lippes to open.
You do loue this maid?
  Will. I do sir

   Clo. Giue me your hand: Art thou Learned?
  Will. No sir

   Clo. Then learne this of me, To haue, is to haue. For
it is a figure in Rhetoricke, that drink being powr'd out
of a cup into a glasse, by filling the one, doth empty the
other. For all your Writers do consent, that ipse is hee:
now you are not ipse, for I am he

   Will. Which he sir?
  Clo. He sir, that must marrie this woman: Therefore
you Clowne, abandon: which is in the vulgar, leaue the
societie: which in the boorish, is companie, of this female:
which in the common, is woman: which together,
is, abandon the society of this Female, or Clowne
thou perishest: or to thy better vnderstanding, dyest; or
(to wit) I kill thee, make thee away, translate thy life into
death, thy libertie into bondage: I will deale in poyson
with thee, or in bastinado, or in steele: I will bandy
with thee in faction, I will ore-run thee with policie: I
will kill thee a hundred and fifty wayes, therefore tremble
and depart

   Aud. Do good William

   Will. God rest you merry sir.

Exit

Enter Corin.

  Cor. Our Master and Mistresse seekes you: come away,
away

   Clo. Trip Audry, trip Audry, I attend,
I attend.

Exeunt.

Scoena Secunda.

Enter Orlando & Oliuer.

  Orl. Is't possible, that on so little acquaintance you
should like her? that, but seeing, you should loue her?
And louing woo? and wooing, she should graunt? And
will you perseuer to enioy her?
  Ol. Neither call the giddinesse of it in question; the
pouertie of her, the small acquaintance, my sodaine woing,
nor sodaine consenting: but say with mee, I loue
Aliena: say with her, that she loues mee; consent with
both, that we may enioy each other: it shall be to your
good: for my fathers house, and all the reuennew, that
was old Sir Rowlands will I estate vpon you, and heere
liue and die a Shepherd.
Enter Rosalind.

  Orl. You haue my consent.
Let your Wedding be to morrow: thither will I
Inuite the Duke, and all's contented followers:
Go you, and prepare Aliena; for looke you,
Heere comes my Rosalinde

   Ros. God saue you brother

   Ol. And you faire sister

   Ros. Oh my deere Orlando, how it greeues me to see
thee weare thy heart in a scarfe

   Orl. It is my arme

   Ros. I thought thy heart had beene wounded with
the clawes of a Lion

   Orl. Wounded it is, but with the eyes of a Lady

   Ros. Did your brother tell you how I counterfeyted
to sound, when he shew'd me your handkercher?
  Orl. I, and greater wonders then that

   Ros. O, I know where you are: nay, tis true: there
was neuer any thing so sodaine, but the sight of two
Rammes, and Cesars Thrasonicall bragge of I came, saw,
and ouercome. For your brother, and my sister, no sooner
met, but they look'd: no sooner look'd, but they
lou'd; no sooner lou'd, but they sigh'd: no sooner sigh'd
but they ask'd one another the reason: no sooner knew
the reason, but they sought the remedie: and in these
degrees, haue they made a paire of staires to marriage,
which they will climbe incontinent, or else bee incontinent
before marriage; they are in the verie wrath of
loue, and they will together. Clubbes cannot part
them

   Orl. They shall be married to morrow: and I will
bid the Duke to the Nuptiall. But O, how bitter a thing
it is, to looke into happines through another mans eies:
by so much the more shall I to morrow be at the height
of heart heauinesse, by how much I shal thinke my brother
happie, in hauing what he wishes for

   Ros. Why then to morrow, I cannot serue your turne
for Rosalind?
  Orl. I can liue no longer by thinking

   Ros. I will wearie you then no longer with idle talking.
Know of me then (for now I speake to some purpose)
that I know you are a Gentleman of good conceit:
I speake not this, that you should beare a good opinion
of my knowledge: insomuch (I say) I know you are: neither
do I labor for a greater esteeme then may in some
little measure draw a beleefe from you, to do your selfe
good, and not to grace me. Beleeue then, if you please,
that I can do strange things: I haue since I was three
yeare old conuerst with a Magitian, most profound in
his Art, and yet not damnable. If you do loue Rosalinde
so neere the hart, as your gesture cries it out: when your
brother marries Aliena, shall you marrie her. I know into
what straights of Fortune she is driuen, and it is not
impossible to me, if it appeare not inconuenient to you,
to set her before your eyes to morrow, humane as she is,
and without any danger

   Orl. Speak'st thou in sober meanings?
  Ros. By my life I do, which I tender deerly, though
I say I am a Magitian: Therefore put you in your best aray,
bid your friends: for if you will be married to morrow,
you shall: and to Rosalind if you will.
Enter Siluius & Phebe.

Looke, here comes a Louer of mine, and a louer of hers

   Phe. Youth, you haue done me much vngentlenesse,
To shew the letter that I writ to you

   Ros. I care not if I haue: it is my studie
To seeme despightfull and vngentle to you:
you are there followed by a faithful shepheard,
Looke vpon him, loue him: he worships you

   Phe. Good shepheard, tell this youth what 'tis to loue
  Sil. It is to be all made of sighes and teares,
And so am I for Phebe

   Phe. And I for Ganimed

   Orl. And I for Rosalind

   Ros. And I for no woman

   Sil. It is to be all made of faith and seruice,
And so am I for Phebe

   Phe. And I for Ganimed

   Orl. And I for Rosalind

   Ros. And I for no woman

   Sil. It is to be all made of fantasie,
All made of passion, and all made of wishes,
All adoration, dutie, and obseruance,
All humblenesse, all patience, and impatience,
All puritie, all triall, all obseruance:
And so am I for Phebe

   Phe. And so am I for Ganimed

   Orl. And so am I for Rosalind

   Ros. And so am I for no woman

   Phe. If this be so, why blame you me to loue you?
  Sil. If this be so, why blame you me to loue you?
  Orl. If this be so, why blame you me to loue you?
  Ros. Why do you speake too, Why blame you mee
to loue you

   Orl. To her, that is not heere, nor doth not heare

   Ros. Pray you no more of this, 'tis like the howling
of Irish Wolues against the Moone: I will helpe you
if I can: I would loue you if I could: To morrow meet
me altogether: I wil marrie you, if euer I marrie Woman,
and Ile be married to morrow: I will satisfie you,
if euer I satisfi'd man, and you shall bee married to morrow.
I wil content you, if what pleases you contents
you, and you shal be married to morrow: As you loue
Rosalind meet, as you loue Phebe meet, and as I loue no
woman, Ile meet: so fare you wel: I haue left you commands

   Sil. Ile not faile, if I liue

   Phe. Nor I

   Orl. Nor I.

Exeunt.


Scoena Tertia.

Enter Clowne and Audrey.

  Clo. To morrow is the ioyfull day Audrey, to morow
will we be married

   Aud. I do desire it with all my heart: and I hope it is
no dishonest desire, to desire to be a woman of y world?
Heere come two of the banish'd Dukes Pages.
Enter two Pages.

  1.Pa. Wel met honest Gentleman

   Clo. By my troth well met: come, sit, sit, and a song

   2.Pa. We are for you, sit i'th middle

   1.Pa. Shal we clap into't roundly, without hauking,
or spitting, or saying we are hoarse, which are the onely
prologues to a bad voice

   2.Pa. I faith, y'faith, and both in a tune like two
gipsies on a horse.

Song.

It was a Louer, and his lasse,
With a hey, and a ho, and a hey nonino,
That o're the greene corne feild did passe,
In the spring time, the onely pretty rang time.
When Birds do sing, hey ding a ding, ding.
Sweet Louers loue the spring,
And therefore take the present time.
With a hey, & a ho, and a hey nonino,
For loue is crowned with the prime.
In spring time, &c.
Betweene the acres of the Rie,
With a hey, and a ho, & a hey nonino:
These prettie Country folks would lie.
In spring time, &c.
This Carroll they began that houre,
With a hey and a ho, & a hey nonino:
How that a life was but a Flower,
In spring time, &c

   Clo. Truly yong Gentlemen, though there was no
great matter in the dittie, yet y note was very vntunable
  1.Pa. you are deceiu'd Sir, we kept time, we lost not
our time

   Clo. By my troth yes: I count it but time lost to heare
such a foolish song. God buy you, and God mend your
voices. Come Audrie.

Exeunt.


Scena Quarta.

Enter Duke Senior, Amyens, Iaques, Orlando, Oliuer, Celia.

  Du.Sen. Dost thou beleeue Orlando, that the boy
Can do all this that he hath promised?
  Orl. I sometimes do beleeue, and somtimes do not,
As those that feare they hope, and know they feare.
Enter Rosalinde, Siluius, & Phebe.

  Ros. Patience once more, whiles our co[m]pact is vrg'd:
You say, if I bring in your Rosalinde,
You wil bestow her on Orlando heere?
  Du.Se. That would I, had I kingdoms to giue with hir

   Ros. And you say you wil haue her, when I bring hir?
  Orl. That would I, were I of all kingdomes King

   Ros. You say, you'l marrie me, if I be willing

   Phe. That will I, should I die the houre after

   Ros. But if you do refuse to marrie me,
You'l giue your selfe to this most faithfull Shepheard

   Phe. So is the bargaine

   Ros. You say that you'l haue Phebe if she will

   Sil. Though to haue her and death, were both one
thing

   Ros. I haue promis'd to make all this matter euen:
Keepe you your word, O Duke, to giue your daughter,
You yours Orlando, to receiue his daughter:
Keepe you your word Phebe, that you'l marrie me,
Or else refusing me to wed this shepheard:
Keepe your word Siluius, that you'l marrie her
If she refuse me, and from hence I go
To make these doubts all euen.

Exit Ros. and Celia.

  Du.Sen. I do remember in this shepheard boy,
Some liuely touches of my daughters fauour

   Orl. My Lord, the first time that I euer saw him,
Me thought he was a brother to your daughter:
But my good Lord, this Boy is Forrest borne,
And hath bin tutor'd in the rudiments
Of many desperate studies, by his vnckle,
Whom he reports to be a great Magitian.
Enter Clowne and Audrey.

Obscured in the circle of this Forrest

   Iaq. There is sure another flood toward, and these
couples are comming to the Arke. Here comes a payre
of verie strange beasts, which in all tongues, are call'd
Fooles

   Clo. Salutation and greeting to you all

   Iaq. Good my Lord, bid him welcome: This is the
Motley-minded Gentleman, that I haue so often met in
the Forrest: he hath bin a Courtier he sweares

   Clo. If any man doubt that, let him put mee to my
purgation, I haue trod a measure, I haue flattred a Lady,
I haue bin politicke with my friend, smooth with mine
enemie, I haue vndone three Tailors, I haue had foure
quarrels, and like to haue fought one

   Iaq. And how was that tane vp?
  Clo. 'Faith we met, and found the quarrel was vpon
the seuenth cause

   Iaq. How seuenth cause? Good my Lord, like this
fellow

   Du.Se. I like him very well

   Clo. God'ild you sir, I desire you of the like: I presse
in heere sir, amongst the rest of the Country copulatiues
to sweare, and to forsweare, according as mariage binds
and blood breakes: a poore virgin sir, an il-fauor'd thing
sir, but mine owne, a poore humour of mine sir, to take
that that no man else will: rich honestie dwels like a miser
sir, in a poore house, as your Pearle in your foule oyster

   Du.Se. By my faith, he is very swift, and sententious
  Clo. According to the fooles bolt sir, and such dulcet
diseases

   Iaq. But for the seuenth cause. How did you finde
the quarrell on the seuenth cause?
  Clo. Vpon a lye, seuen times remoued: (beare your
bodie more seeming Audry) as thus sir: I did dislike the
cut of a certaine Courtiers beard: he sent me word, if I
said his beard was not cut well, hee was in the minde it
was: this is call'd the retort courteous. If I sent him
word againe, it was not well cut, he wold send me word
he cut it to please himselfe: this is call'd the quip modest.
If againe, it was not well cut, he disabled my iudgment:
this is called, the reply churlish. If againe it was not well
cut, he would answer I spake not true: this is call'd the
reproofe valiant. If againe, it was not well cut, he wold
say, I lie: this is call'd the counter-checke quarrelsome:
and so to lye circumstantiall, and the lye direct

   Iaq. And how oft did you say his beard was not well
cut?
  Clo. I durst go no further then the lye circumstantial:
nor he durst not giue me the lye direct: and so wee measur'd
swords, and parted

   Iaq. Can you nominate in order now, the degrees of
the lye

   Clo. O sir, we quarrel in print, by the booke: as you
haue bookes for good manners: I will name you the degrees.
The first, the Retort courteous: the second, the
Quip-modest: the third, the reply Churlish: the fourth,
the Reproofe valiant: the fift, the Counterchecke quarrelsome:
the sixt, the Lye with circumstance: the seauenth,
the Lye direct: all these you may auoyd, but the
Lye direct: and you may auoide that too, with an If. I
knew when seuen Iustices could not take vp a Quarrell,
but when the parties were met themselues, one of them
thought but of an If; as if you saide so, then I saide so:
and they shooke hands, and swore brothers. Your If, is
the onely peace-maker: much vertue in if

   Iaq. Is not this a rare fellow my Lord? He's as good
at any thing, and yet a foole

   Du.Se. He vses his folly like a stalking-horse, and vnder
the presentation of that he shoots his wit.
Enter Hymen, Rosalind, and Celia.

Still Musicke.

  Hymen. Then is there mirth in heauen,
When earthly things made eauen
attone together.
Good Duke receiue thy daughter,
Hymen from Heauen brought her,
Yea brought her hether.
That thou mightst ioyne his hand with his,
Whose heart within his bosome is

   Ros. To you I giue my selfe, for I am yours.
To you I giue my selfe, for I am yours

   Du.Se. If there be truth in sight, you are my daughter

   Orl. If there be truth in sight, you are my Rosalind

   Phe. If sight & shape be true, why then my loue adieu
  Ros. Ile haue no Father, if you be not he:
Ile haue no Husband, if you be not he:
Nor ne're wed woman, if you be not shee

   Hy. Peace hoa: I barre confusion,
'Tis I must make conclusion
Of these most strange euents:
Here's eight that must take hands,
To ioyne in Hymens bands,
If truth holds true contents.
You and you, no crosse shall part;
You and you, are hart in hart:
You, to his loue must accord,
Or haue a Woman to your Lord.
You and you, are sure together,
As the Winter to fowle Weather:
Whiles a Wedlocke Hymne we sing,
Feede your selues with questioning:
That reason, wonder may diminish
How thus we met, and these things finish.

Song.

Wedding is great Iunos crowne,
O blessed bond of boord and bed:
'Tis Hymen peoples euerie towne,
High wedlock then be honored:
Honor, high honor and renowne
To Hymen, God of euerie Towne

   Du.Se. O my deere Neece, welcome thou art to me,
Euen daughter welcome, in no lesse degree

   Phe. I wil not eate my word, now thou art mine,
Thy faith, my fancie to thee doth combine.
Enter Second Brother.

  2.Bro. Let me haue audience for a word or two:
I am the second sonne of old Sir Rowland,
That bring these tidings to this faire assembly.
Duke Frederick hearing how that euerie day
Men of great worth resorted to this forrest,
Addrest a mightie power, which were on foote
In his owne conduct, purposely to take
His brother heere, and put him to the sword:
And to the skirts of this wilde Wood he came;
Where, meeting with an old Religious man,
After some question with him, was conuerted
Both from his enterprize, and from the world:
His crowne bequeathing to his banish'd Brother,
And all their Lands restor'd to him againe
That were with him exil'd. This to be true,
I do engage my life

   Du.Se. Welcome yong man:
Thou offer'st fairely to thy brothers wedding:
To one his lands with-held, and to the other
A land it selfe at large, a potent Dukedome.
First, in this Forrest, let vs do those ends
That heere were well begun, and wel begot:
And after, euery of this happie number
That haue endur'd shrew'd daies, and nights with vs,
Shal share the good of our returned fortune,
According to the measure of their states.
Meane time, forget this new-falne dignitie,
And fall into our Rusticke Reuelrie:
Play Musicke, and you Brides and Bride-groomes all,
With measure heap'd in ioy, to'th Measures fall

   Iaq. Sir, by your patience: if I heard you rightly,
The Duke hath put on a Religious life,
And throwne into neglect the pompous Court

   2.Bro. He hath

   Iaq. To him will I: out of these conuertites,
There is much matter to be heard, and learn'd:
you to your former Honor, I bequeath
your patience, and your vertue, well deserues it.
you to a loue, that your true faith doth merit:
you to your land, and loue, and great allies:
you to a long, and well-deserued bed:
And you to wrangling, for thy louing voyage
Is but for two moneths victuall'd: So to your pleasures,
I am for other, then for dancing meazures

   Du.Se. Stay, Iaques, stay

   Iaq. To see no pastime, I: what you would haue,
Ile stay to know, at your abandon'd caue.
Enter.

  Du.Se. Proceed, proceed: wee'l begin these rights,
As we do trust, they'l end in true delights.

Exit

  Ros. It is not the fashion to see the Ladie the Epilogue:
but it is no more vnhandsome, then to see the
Lord the Prologue. If it be true, that good wine needs
no bush, 'tis true, that a good play needes no Epilogue.
Yet to good wine they do vse good bushes: and good
playes proue the better by the helpe of good Epilogues:
What a case am I in then, that am neither a good Epilogue,
nor cannot insinuate with you in the behalfe of a
good play? I am not furnish'd like a Begger, therefore
to begge will not become mee. My way is to coniure
you, and Ile begin with the Women. I charge you (O
women) for the loue you beare to men, to like as much
of this Play, as please you: And I charge you (O men)
for the loue you beare to women (as I perceiue by your
simpring, none of you hates them) that betweene you,
and the women, the play may please. If I were a Woman,
I would kisse as many of you as had beards that
pleas'd me, complexions that lik'd me, and breaths that
I defi'de not: And I am sure, as many as haue good
beards, or good faces, or sweet breaths, will for my kind
offer, when I make curt'sie, bid me farewell.
Enter.

FINIS.






*** END OF THE PROJECT GUTENBERG EBOOK AS YOU LIKE IT ***


    

Updated editions will replace the previous one—the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away—you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.


START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™
electronic works

1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg™ electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg™ electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg™ mission of promoting
free access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for keeping the
Project Gutenberg™ name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg™ License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg™ work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg™ License must appear
prominently whenever any copy of a Project Gutenberg™ work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:

    This eBook is for the use of anyone anywhere in the United States and most
    other parts of the world at no cost and with almost no restrictions
    whatsoever. You may copy it, give it away or re-use it under the terms
    of the Project Gutenberg License included with this eBook or online
    at www.gutenberg.org. If you
    are not located in the United States, you will have to check the laws
    of the country where you are located before using this eBook.
  
1.E.2. If an individual Project Gutenberg™ electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg™
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg™ work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg™ electronic works
provided that:

    • You pay a royalty fee of 20% of the gross profits you derive from
        the use of Project Gutenberg™ works calculated using the method
        you already use to calculate your applicable taxes. The fee is owed
        to the owner of the Project Gutenberg™ trademark, but he has
        agreed to donate royalties under this paragraph to the Project
        Gutenberg Literary Archive Foundation. Royalty payments must be paid
        within 60 days following each date on which you prepare (or are
        legally required to prepare) your periodic tax returns. Royalty
        payments should be clearly marked as such and sent to the Project
        Gutenberg Literary Archive Foundation at the address specified in
        Section 4, “Information about donations to the Project Gutenberg
        Literary Archive Foundation.”
    
    • You provide a full refund of any money paid by a user who notifies
        you in writing (or by e-mail) within 30 days of receipt that s/he
        does not agree to the terms of the full Project Gutenberg™
        License. You must require such a user to return or destroy all
        copies of the works possessed in a physical medium and discontinue
        all use of and all access to other copies of Project Gutenberg™
        works.
    
    • You provide, in accordance with paragraph 1.F.3, a full refund of
        any money paid for a work or a replacement copy, if a defect in the
        electronic work is discovered and reported to you within 90 days of
        receipt of the work.
    
    • You comply with all other terms of this agreement for free
        distribution of Project Gutenberg™ works.
    

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg™ work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West,
Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.

Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg™,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.

Related Articles

კომენტარის დატოვება

თქვენი ელფოსტის მისამართი გამოქვეყნებული არ იყო. აუცილებელი ველები მონიშნულია *

Check Also
Close
Back to top button